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Collection
IRCAM Speakers
The following speakers from IRCAM will come over from Paris to share the latest news and updates : Hugues Vinet, Paola Palumbo, Guillaume Piccarreta,…
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Article
The Inhuman Human Voice by Marcela Lucatelli
The Inhuman Human Voice is a solo opera by Marcela Lucatelli, premiering at The Cisterns as part of Copenhagen Opera Festival 2026, with sound design…
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Article
Thresholds of Presence: Listening as Performance by Yasuhiro Otani
A live talk-demonstration for electric guitar and internal feedback system, exploring listening and performing as simultaneous and equivalent acts.
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Recollecting Gesture: Embodied Memory and Real-Time Interaction in Berio's Wasserklavier by Liliana Parisi & Davide Bardi
A performative project turning piano gesture into shared memory: pianist, dancer, and electronic composer interact in real time across sound and move…
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Article
From Napster to Now: A Brief History of Music Streaming & The Future by Arnab Dalal (Reset Music)
Tracing the evolution of music streaming from Napster's peer to peer disruption in 1999, through iTunes download model and Spotify’s subscription-bas…
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Article
AEAEA: Playing a Physics-Driven Musical Ecology — by Christos Michalakos
AEAEA is a physics-driven audiovisual ecology that can be played with an augmented drum-kit or a gamepad. Acoustic gestures shape movement, light, de…
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Composing Distributed Soundscapes through Graphical Interaction by Thierry Dilger
This project explores how graphical interaction can support the staging of listening situations within distributed soundscapes. Using GASPR, a custom…
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Frames for Conversations with the Unknown: Sound Installations as Stages by Aquiles Hadjis
So called "Sound Art" has progressively taken over Art events and venues while not being widely featured at music venues. But can it transcend its pr…
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大音希声(Da Yin Xi Sheng): Real-Time Environmental Sound Audiovisual System — By Xuanlin LI
Da Yin Xi Sheng is a real-time audiovisual system that uses environmental sound as performance material. Through granular processing, resonance, MPE …
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From Gesture to Phrase: Real-Time Dance-to-Music Recomposition by Zhitao Lin
A real-time system that analyzes dance movement as phrase-level musical information, transforming motion phases into structured musical responses, ti…
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Article
Body of Sounding:Plate by Taito Fushimi
《Body of Sounding:Plate》 treats the spaces and materials through which sound passes not simply as context, but as a central part of the work itself. …
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Techno Engine by Ganling Zhou
Techno Engine is a live Max/MSP installation: the audience types orders on their phones — “more hi-hats”, “make it squishy” — and a language model tu…
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Mind Rain & Bamboo Whisper ————Real-time EEG Interactive installation by Huixin Xue
Design & Composition: Huixin Xue; Programming: Shihong Ren; Visual Design: Xiangyu Deng. The work integrates AI-generated music, EEG interacti…
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OperAI: The Intelligent Stage by Alexandra Huang-Kokina & Cliona Cassidy
What happens when an opera audience can raise or calm a storm as though shaping the textural sounds of an orchestra? At IRCAM Forum Tokyo 2026, the I…
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Demo of Brain-Computer Interface Improvisation System with Somax2 by Yi-hsien Chen
The project demonstrates a Brain-Computer Interface (BCI) improvisation system that integrates EEG signals with Somax2 for human-AI co-creation. Inst…
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Wilding AI: Exploring Rhythmic Spatial Behaviours of Autonomous LLM-Driven Sonic Agents by Maurice Jones and Alexandre Saunier
Wilding AI is a collective research-creation project developing AI systems to explore the expressive potential of autonomous generative behaviors for…
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Article
"Echoes" by Annabel Brooks
An Experimental Spatial Audio piece exploring the capabilities of the human voice as a form of resistance against Artificial Intelligence. A work exp…
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Article
The Colour of the Sky After the Rain by Vitor Bossa
The Colour of the Sky After the Rain (11'29") is an audiovisual composition installation for two screens and 2.1 sound, structured as three sections:…
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Article
Tower of Babel by Paula Martin Rivero
•••Tower of Babel••• is a sound installation examining the socio-technical-environmental dimensions of borders through the lens of the US-Mexico boun…
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Article
Proximity of Timbre: Blending Acoustic Instruments and Electronics by Ko Sahara
In mixed music for solo instrument and electronics, achieving acoustic-electronic timbral proximity is a key compositional strategy for creating exte…
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Article
Mocopi Motion Capture in Max by Takayuki Rai
“Mocopi in Max” integrates Sony’s mocopi motion capture system into the Max environment through custom Max external objects, enabling real-time contr…
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Tape Loop Workshop by Stegonaute (Tokyo)
Tape Loops : Turning Cassettes into Instruments This workshop explores tape loops as a hands-on, creative tool. Starting from commercial audio casset…
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Countercurrent: Performing Against Memory by Jan Ove Hennig
Countercurrent investigates what a timbre transfer model retains, and what happens when it processes material it was never trained on. A neural model…
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Somatica: developing an apparatus for human-water relations by Rachel Meyers
Somatica is an apparatus in development in which a performer, a body of water, and an audience become mutually constitutive in real time. Sound passe…
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“Theme and Variations” for solo shakuhachi and computer — Composed Real-Time Sound Processing and Improvisation — by Satoshi Fukushima
A musical work for solo shakuhachi and computer. The system samples and layers the live shakuhachi melody across different time scales in real time, …
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AudioStellar 2.0 The Sampler Rewired: Sonic experimentation workshop by Agustin Spinetto
AudioStellar is a sampler-like musical instrument that provides a user interface for visualizing a collection of short audio clips in an interactive…
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Rendering a Shared World Audible: Music-making, Mediation, and Collectivity by Hans Kretz
This presentation explores inclusive co-creative telematic performance using Somax 2. It examines how AI-assisted musical interaction can make the ae…
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Article
Babel / Trans-Instrumentalism by Sachie Kobayashi and Frederik Bous
Babel / Trans-Instrumentalism is an interactive audiovisual installation that transforms visitors’ speech through machine listening, transcription, s…
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Tributaries: An Immersive VR Installation for Musical Meaning-Making by Alex Purcell
Tributaries is an immersive VR performance bringing together live music, gesture-based virtual instruments, generative visuals, and locally running i…
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megabytebeat by Johan Euphrosine (proppy)
This session will showcase two custom audio chips that generate sounds according to known bytebeat formulas.
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Explorations in Bio-sonification by BioClub Tokyo
The Bio-Sonification Study Group has met monthly since April 2026 at BioClub Tokyo to explore and play with biological data and the instruments used …
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Article
Vospora: a novel approach to vocal sound synthesis by Patricia Alessandrini
This presentation explores technical and acoustic principles underlying vocal sound production through pneumatic membranes and artificial vocal cords…
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Creating a Vocabulary of Dance : Movement Sonification through Machine Learning and AI by Patricia Alessandrini
This hands-on workshop introduces participants to creating expressive sound mappings from movement using machine learning and AI. Following a live de…
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The WereSoCool Language by Danny Meyer
WereSoCool is a programming language for composing microtonal music geometrically.