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"title": "Music / Technology 2024",
"description": "Call for papers about electroacoustic feedback",
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"title": "IRCAM Forum - Paris (March. 20th, Studio 1)",
"description": "3D Illusory Immersive Soundscape-\"Glacier\"\n\n- Day: Wednesday - 20th March - morning\n- Space: Studio 1\n- Total length of presentation: 30'\n\nSince the early 20th century, glaciers worldwide have steadily diminished, impacting diverse regions from the Alps and Himalayas to Greenland. Antarctica, Earth's largest glacier store, faces thinning ice and shelf collapses.\nEach year, glaciers discharge a colossal 46 cubic kilometers of ice, accompanied by deafening roars. Sea-bound glacier collapses involve massive ice shelves plunging into the ocean with seismic force, generating tsunami-like waves. Caution is crucial for distant shipborne observers.\nThis composition utilizes 3D immersive soundscapes, creating synesthetic experiences. It vividly depicts glacier texture, height, floating ice flow, and their disintegration. Beyond the mesmerizing imagery, it symbolizes human violence and destruction toward our planet. This narrative extends to the 21st-century realm of warfare, expressing an apocalyptic sentiment. Although primarily electronic, it integrates choir-like elements symbolizing the human-deity connection, delving into themes of apocalypse, redemption, and, in the final elegy, forgiveness.\nThroughout its creation, I blurred the lines between painting and composing, sculpting sounds guided by my inner artistic vision. Close your eyes to sense the glacier's texture, temperature, weight, and the waves enveloping its consumed essence. ",
"created": "2024-02-20T00:29:37.102899+01:00",
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"pk": 309,
"title": "Cogwheels and echoes - 20 Tales from the Steampunk Soundscape",
"description": "Sortie d'un album vidéo, fruit d'une collaboration avec le graphiste Patrick Guillot à partir de 20 petites pièces steampunk minimalistes",
"created": "2024-03-29T16:46:38.771953+01:00",
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"publish_date": "2024-03-29T16:46:38.761049+01:00",
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"user": 10138,
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{
"pk": 314,
"title": "Massage acousmatique",
"description": "Le massage acousmatique est une pratique artistique d'immersion sensorielle à travers l'écoute musicale et la perception tactile, sans recours à la vision et en conscience.\n\nCette immersion se crée grâce à la spatialisation d'une ambiance sonore (bruitages et effets sonores) associée à l'utilisation d'objets légers et délicats qui sont disposés sur le corps, alors que le public est en position allongée.",
"created": "2024-04-17T10:23:58.867548+02:00",
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"publish_date": "2024-04-17T10:23:58.863894+02:00",
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"slug": "massage-acousmatique",
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"start": "2024-04-21T16:00:00+02:00",
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"pk": 310,
"title": "bongo808 sonic agency",
"description": "Online event - Live performance\n\nhttps://www.bongo808.com/sonic-agency\n\nFrom the desire to use social networks to disseminate a finished artistic object rather than promoting it, I imagined this project by focusing on the essential things. Percussion, electronic instruments, and videos played, created, and generated live. At a time governed by time-consuming and meaningless image, entertainement and commercials empties of essence. The image is here are window that leads to sound experience.\nEight weekly episodes will be streamed live on Twitch, Instagram, Facebook, and Youtube in May and June 2024. ",
"created": "2024-04-02T23:21:33.722126+02:00",
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"status": 1,
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"end": "2024-06-30T08:00:00+02:00",
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"title": "Sonar+D 2024",
"description": "We are very happy to announce our participation in the 2024 Barcelona Sonar+D festival, a platform for collaboration, experimentation, and the exploration digital culture. Please join us to the Project Area on June 13, 14, and 15 in Barcelona. \n",
"created": "2024-04-19T08:01:06.286069+02:00",
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"publish_date": "2024-04-19T08:01:06.282018+02:00",
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"start": "2024-06-13T12:00:00+02:00",
"end": "2024-06-15T12:00:00+02:00",
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"title": "Improtech Paris - Tokyo 2024",
"description": "Improtech Paris - Tokyo se tiendra à l’Université des Arts de Tokyo (Geidai) du 29 juillet au 2 août, au sein de la Max Summer School 2024 dans laquelle seront intensivement enseignés les systèmes d’IA cocréative issus du projet ERC REACH.",
"created": "2024-06-27T11:05:53.178761+02:00",
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"publish_date": "2024-06-27T11:19:36+02:00",
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"title": "Les Marées Max 2024 (Max Tides 2024)",
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"title": "Save the Date : Ateliers du Forum 2024 Hors les murs @Seoul",
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"title": "Forum Studio Session #2 - Abo Abo",
"description": "Découvrez comment utiliser les technologies Ircam pour la production et la composition musicale assistée par ordinateur avec l’artiste Abo Abo. \r\n\r\nAprès le succès de la première session avec Canblaster, nous avons l’honneur d’inviter l’artiste Abo Abo qui utilisera RAVE du projet ACIDS de l'équipe de recherche Analyse/Synthèse ainsi que Somax2 développé par l’équipe ERC REACH. \r\n\r\nLa performance sera diffusée en streaming suivie d’une démonstration technique de nos logiciels par l’artiste et les chercheurs.",
"created": "2025-01-14T15:21:57.672923+01:00",
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"status": 1,
"slug": "forum-studio-session-2-abo-abo",
"user": 92005,
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{
"pk": 402,
"title": "Athens Music Technology Forum (AMTF) 2025",
"description": "The Athens Music Technology Forum 2025 will be the first music event of its kind. Under the theme of “The Sonic Frontier: AI and the Future of Music”, AMTF 2025 will feature presentations, talks, and live performances surrounding music technology and AI, along with showcases of AI-driven music tools and applications. It will be an immersive experience at the intersection of sound and technology.\n\nThe program of AMTF 2025 has been designed to be an interactive experience for all. The audience will have various opportunities to engage with the presenters, not only through Q&A sessions, but also by collaborating with them as a musician. AMTF 2025 will be an innovative and hybrid space transcending the boundaries between entertainment, research, and creativity.",
"created": "2026-02-22T23:28:48.933508+01:00",
"updated": "2026-02-22T23:29:24.142199+01:00",
"publish_date": "2026-02-22T23:28:48.930477+01:00",
"status": 1,
"slug": "athens-music-technology-forum-amtf-2025",
"user": 113878,
"meta_category": null,
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"start": "2025-11-07T19:00:00+01:00",
"end": "2025-11-07T22:30:00+01:00",
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{
"pk": 392,
"title": "Au-delà des horizons",
"description": "Au-delà des horizons est un projet hybride mêlant la musique contemporaine et les arts visuels, présenté sous la forme d’une installation immersive. Le public est invité à pénétrer dans l’espace rythmé par les dispositifs vidéo et les haut-parleurs. Ricardo Martinez Ramos, plasticien et musicien, y interprète une série d’œuvres musicales où se mélangent des sons issus de différents lieux avec ceux générés par synthèse sonore électronique. Les dispositifs communiquent les uns avec les autres, créant de nouveaux paysages sonores et sensoriels.\nAinsi, Au-delà des horizons nous invite à repenser notre relation avec l’espace dans lequel nous évoluons.",
"created": "2026-01-15T21:40:15.659980+01:00",
"updated": "2026-01-15T21:40:16.008885+01:00",
"publish_date": "2026-01-15T21:40:15.655171+01:00",
"status": 1,
"slug": "au-dela-des-horizons",
"user": 61150,
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"start": "2026-01-18T04:00:00+01:00",
"end": "2026-01-18T06:00:00+01:00",
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"pk": 396,
"title": ".abeceda [New Music Academy]",
"description": "OPEN CALL for COMPOSERS \n.abeceda [New Music Academy] II.\n\nA program for composers to develop and present new or existing works for string quartet. Participants compose a new piece or submit an existing work, refine it through online workshops, rehearse with the ensemble, and present it at the Bled Contemporary Music Week — with the performance professionally recorded and documented.\n___\n\nFORMAT:\nStage I. [Online Preparation]\n4 Online Sessions: March 12, 26 & April 9, 23, 2026\nPresentations by participating composers\nOpen discussions with quartet members\nScore reading, development and preparation for rehearsals\n\n\nStage II. [Rehearsals in Ljubljana, Slovenia]\n4-Day Intensive Rehearsal Period: May 5–8, 2026\nRehearsals with .abeceda [String Quartet]\nFinalization of newly composed works\n\n\nStage III. [Performance in Cankarjev dom, Ljubljana]\nPerformances of participants’ compositions at Cankarjev dom, Duša Počkaj Hall, Ljubljana: May 8, 2026\nProfessional audio and video documentation of performances\n___\n\nFor reference, see the performances of .abeceda [String Quartet]:\nhttps://youtube.com/playlist?list=PLRTXTMCLPIT8WLdVDT08X7pynSoVvcyHT&si=psf6On1guiFnhGsr\n___\n\nAPPLY before February 20, 2026. \nMore information: https://www.abeceda-new-music-academy.com/ or info@abeceda.io.\n",
"created": "2026-02-04T18:00:28.482107+01:00",
"updated": "2026-02-04T18:00:28.861812+01:00",
"publish_date": "2026-02-04T18:00:28.472941+01:00",
"status": 1,
"slug": "abeceda-new-music-academy",
"user": 160251,
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"start": "2026-03-12T14:00:00+01:00",
"end": "2026-05-08T22:00:00+02:00",
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{
"pk": 400,
"title": "GRM Tools Atelier workshop",
"description": "We present GRM Tools Atelier, the new line of audio tools from INA GRM. Atelier is a real-time, multichannel sound processing and synthesis environment, designed as a workbench for instrument creation.",
"created": "2026-02-17T17:05:09.806554+01:00",
"updated": "2026-02-18T16:00:27.407361+01:00",
"publish_date": "2026-02-17T17:05:09.802870+01:00",
"status": 1,
"slug": "grm-tools-atelier-workshop",
"user": 44232,
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"start": "2026-03-18T14:00:00+01:00",
"end": "2026-03-18T17:30:00+01:00",
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{
"pk": 405,
"title": "Master Class et Concert Armando Balice à Gentilly",
"description": "À partir de la matière sonore\n\nLe compositeur Armando Balice explore la transformation du son brut en forme musicale. À la croisée de l’héritage classique, des textures bruitistes et de la synthèse analogique, son travail se déploie comme un processus sculptural où le son est envisagé comme une matière dense, dynamique et instable. Improvisation sur machines analogiques, travail de studio, montage, spatialisation : ces étapes ne sont pas séparées mais constituent les différents moments d’un même geste, celui qui conduit du matériau sonore à l’organisation formelle. Cette rencontre propose un portrait approfondi de son processus de composition : de l’émergence du son (prise de son, séquence-jeu, improvisation) à sa transformation en studio, jusqu’à son interprétation dans l’espace à travers la projection acousmatique. ",
"created": "2026-03-11T09:01:00.015471+01:00",
"updated": "2026-03-11T09:02:53.137512+01:00",
"publish_date": "2026-03-11T09:01:00.012303+01:00",
"status": 1,
"slug": "master-class-et-concert-armando-balice-a-gentilly",
"user": 4523,
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"start": "2026-04-10T15:00:00+02:00",
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{
"pk": 398,
"title": "precept.concept.percept XVI. ",
"description": "PRECEPT.CONCEPT.PERCEPT XVI. [OPEN CALL] FOR COMPOSERS, PERFORMERS & CONDUCTORS\n\nApril 2026 - January 2027\n\nA residency program for performers and composers, dedicated to formation, development, and performance of new compositional works. \n\nFORMAT: \n\nStage I.\n- 4 Online Workshops: April – July 2026\n- Presentations by participant composers and performers\n- Q&A\n \n\nStage II.\n- 3 Online Workshops: September – November 2026\n- Score readings, analysis\n- Q&A\n \n\nStage III.\n- 1-Week Workshop in Bled, Slovenia: January 5-10 2027 [rehearsals]\n- Performance at the seventh Bled Contemporary Music Week in Bled, Slovenia with professional documentation: January 11-16, 2027\n \n\n—\n\nThe precept.concept.percept residency focuses on a collaborative creative process where performers and composers work closely together to prepare for a performance at the sixth Bled Contemporary Music Week (Bled, Slovenia, EU). Composers present, optimize, theorize, and develop new works, while performers form an ensemble to refine their practice and premiere these compositions.\n\n—\n\nAPPLY before February 17, 2027\n\n\nMore information: https://precept-concept-percept.com/\n\ninfo@abeceda.io",
"created": "2026-02-06T19:18:52.186518+01:00",
"updated": "2026-02-06T19:19:07.947397+01:00",
"publish_date": "2026-02-06T19:18:52.181932+01:00",
"status": 1,
"slug": "preceptconceptpercept-xvi",
"user": 160454,
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"start": "2026-04-27T12:30:00+02:00",
"end": "2027-01-16T20:00:00+01:00",
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{
"pk": 397,
"title": "enuntiatio.praefatio.formulae — residency program for artistic research in music [2026/2027]",
"description": "The enuntiatio.praefatio.formulae residency program brings together researchers from across the globe, each pursuing their independent artistic research project. The program provides a framework for presenting research, receiving feedback from peers and mentors, and learning from the diverse approaches of colleagues working across different areas of music and sound-based practice.",
"created": "2026-02-05T18:27:20.398833+01:00",
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"status": 1,
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"user": 160454,
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"start": "2026-07-27T12:00:00+02:00",
"end": "2027-01-15T12:00:00+01:00",
"is_featured": false
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{
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"description": "Join us for an open afternoon dedicated to exploring the world of immersive sound design and interactive programming.Eric Raynaud, artist and composer currently in residence at The Indian Sonic Research Organisation in Bangalore will lead a workshop/masterclass on real-time sound spatialization. \n",
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"title": "Workshops on writing techniques on media or acousmatic composition",
"description": "For several years now, Annette Vande Gorne has been giving a summer course in acousmatic composition at our Musiques & Recherches studios. This year, the course is doubled. You’ll be able to choose between two levels of training (beginners or advanced) You’re a beginner. If you want to discover the (somewhat mysterious) world of acousmatic music and be introduced to the technics of writing on a fixed medium, choose level 1. If you are already an enthusiast and have some experience (however small) of acousmatic composition and want to deepen your practice with an experienced teacher and internationally renowned composer, choose level 2.\n\nAdvanced (level 2 acousmatic music composition) 7 active students maximum + listeners\n\ntheoretical course: personal experience, the project, the concrete approach introduction to acousmatic specificities, listening techniques, the art of transitions, the levels of communication in a work, Permanence/variation as a criterion of form: randomness and complexity, permanence and simplicity, variation, germ, sequence. Process and form: correlation, old forms, new dynamic and static processes, non-form. Narrativity and catharsis, virtuosity. Working methods, aesthetics, electroacoustic genres.\nCollective and individual practical monitoring of the progress of composition work technological assistance on request.\nIndividual and free production of a short composed work. Premises and equipment Trainees will have the following equipment at their disposal:\nan analogue composition studio (4 stereo studers + 1 8-track studer + SAJE 18.8.4.2 console, 1 nagra 4s, tapes and primers)\na stereo and 7.1 digital composition studio\na small concert hall with an octophonic sound projection device\noutdoor sound recording equipment Headphones and personal computer + editing/mixing software to be brought along by trainees.\nOrganisation of the course\n\nTuesday 19 to Sunday 24 August: classes from 10am to 2pm (level 1) and from 3pm to 7pm (level 2), with technical and artistic assistance for the rest of the day. Sunday 24 August at 5pm: trainee concert at the Grenier d’Orphée de Musiques & Recherches. Classes are held on our premises.\n\nTraining\n\nThe course is run by Annette Vande Gorne, Professor of acousmatic composition at the Conservatoire Royal in Liège and Brussels since 1986, and in Mons until 2011. In 2002, she created a complete and autonomous electroacoustic section. Language of the course: French or basic English Practical assistance will be provided by a graduate of the master’s degree in acousmatic composition from the electroacoustic section of the Conservatoire Royal de Mons/Arts2. Letter of application and CV Info@musiques-recherches.be - +32(0)354.43.68\n\nApplication deadline 23 July 2025\n\nFee: €500 (active participant with technical assistance), €250 (auditor)",
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"description": "SPATIALIZED INTERPRETATION OF ACOUSMATIC MUSIC\nby Annette Vande Gorne & Julien Guillamat\non the Influx acousmonium\nIntensive course ending with a concert on Saturday, at 8pm.\n10:00-13:00 group theoretical class\n14:00-19:00 practical course\n\n> When? 26 - 30 August 2025\n> By who? Annette Vande Gorne, artistic director of Musiques & Recherches _Influx (BE), composer and pioneer of acousmatic music. \nJulien Guillamat, honorary professor of electroacoustic composition and professor of spatialized interpretation at the Conservatoire Royal de Mons (BE).\n\navdg@musiques-recherches.be\nwww.electrocd.com/fr/bio/vandegorne_an/\n> Info? f.dubois@musiques-recherches.be - +32(0)354.43.68\n> Where ? Espace Senghor - Chée de wavre, 366 - B 1040 Brussels (BE)\n> Rates ? 500 €.\n> Deadline for registration ? July 23, 2025",
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"title": "Cours d'Arts Sonores",
"description": "Ce cours est consacré à la programmation en informatique musicale appliquée à la synthèse sonore numérique et au traitement du signal audio en temps réel. Il a également pour objectif de fournir les bases théoriques nécessaires à la pratique d’environnements de programmation tels que Max ou SuperCollider. Il comprend notamment l’accompagnement et le suivi de projets individuels ou collectifs de création en musique électroacoustique, la théorie, l’analyse et l’histoire des musiques électroacoustiques, l’enseignement de la composition algorithmique et de la composition assistée par ordinateur.\nPublic : Adultes\nCours individuels tous les samedis de 13h30 à 14h30 (hors vacances scolaires)\nCours collectifs tous les samedis de 14h30 à 18h30 (hors vacances scolaires) Rentrée le Samedi 20 Septembre 2025\n\nRenseignements : antoine.villedieu@grandorlyseinebievre.fr",
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"title": "Festival of Electroacoustic Music Metropolis",
"description": "FESTIVAL de MUSICA ELECTROACUSTICA METROPOLIS\nLaboratorio de Investigacion y Produccion Musical (LIPM)- Musical Research and Production Lab- Artistic Direction: Jorge Sad Levi\nBuenos Aires\nCentro Cultural Recoleta- September 30 2025 06:30 pm\n\nMusic by Beatriz Ferreyra, Gabriela Yaya, Marcela Pavia, Miguel Garutti, Javier Leichman,Gonzalo Biffarella, Sergio Santi, Diego Tedesco, Eduardo Kusnir",
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"title": "El Viento adentro by Sergio Lanza and Marcela Pavia",
"description": "Festival Aperto- Reggio Emilia\nEl Viento Adentro\nThis work is the result of several meetings. Lanza meets Pizarnik's verses by chance and they begin to dig a strong furrow in him. Pavia had already met Pizarnik but it was when he proposed to her to work together on Alejandra's poetry that the idea of a musical project was born, which Marcela, in turn, enriched by her encounter with the verses of Antonia Pozzi. Thus was born the project of a show divided into two movements equally divided among the composers, articulated by exploiting the different expressive possibilities offered by vocality, two amplified instruments (cello and guitar), electronics, and the projection of texts and images. The creation of a coherent and unitary show, a drama of voices in concert form, which manages to overcome the diversity of languages, different poetic voices and musical personalities.\nMarcela Pavia, Infierno musical, per voce, strumenti, elettronica (2024)\nSergio Lanza, No mi voz (…) sino la otra, per voce, strumenti, elettronica (2024)\nvoce Elisa Bonazzi\nchitarra Leopoldo Saracino\nvioloncello Francesco Dillon\nelettronica Marcela Pavia e Sergio Lanza\nregia del suono Massimo Marchi\nproduzione AGON acustica informatica musica",
"created": "2025-09-21T22:18:32.800613+02:00",
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"title": "ArtsIT2025",
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"title": "Notam's Online Spatial Audio Meetup",
"description": "To push the boundaries of what's possible in this field, an international group of people meet online at Notam's spatial audio meetups once a month to explore techniques, workflows, aesthetics, ideas and sounds.\nNotam's Spatial Audio meetup is a meeting place for working with surround sound for artistic purposes. Here, some of the world's leading experts and technologists meet curious artists and beginners.\nThe meetups are led by composer Mariam Gviniashvili and composer Monica Bolles. \n\nThe Meetup can be joined via this Zoom link: https://zoom.us/j/92606747841 ",
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