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SOUND ARCHEOLOGY: The Unearthing of A Material Aurality In Sound Art

How can we form-shift, probing with our ears into the substrates of the earth? What does the gusty storm sound like to that which is slowly eroding away? What do sentinels of the sea hear when they are stranded on the land? And how can we—as artists—investigate these slow formations of history through the senses of the ancient witnesses? Questions like these emerged from a series of process-based interactions with sites and materials and sparked the initial inspiration to combine sound practices with the subject of archaeology.