Posted by: hkretz 1 year, 8 months ago

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By applying philosophical and aesthetic frameworks, it investigates how the implementation of distributive, inclusive and de-hierarchizing technologies can challenge Western traditions of authorship and expand our understanding of collaborative music-making and knowledge production.  I will draw on the use of software such as Somax2 and Dicy2 in ensemble practice to highlight how a 'sound object' becomes an 'object of thought,' inherently involving knowledge production about it. 

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• ← Fragments 1-11 by Yun Park & Jeanyoon Choi
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