Speakers Biography / 演讲者简介

Article

Published on 10 avr. 2019 by bervas

José Miguel Fernández

José Miguel Fernández studied music and composition at the University of Chili and at the Laboratory for Musical Research and Production (LIPM) in Buenos Aires, Argentina. He then studied composition at the Conservatoire National Supérieur de Musique et de Danse de Lyon and followed the Cursus program in composition at IRCAM. He composes instrumental, electroacoustic, and mixed music works. His works have been performed in the Americas, Europe, Asia, and Oceana and he has produced mixed music and electroacoustic concerts in several festivals.José Miguel Fernández won the international electroacoustic music competition in Bourges (2000), the Grame-EOC’s international composition competition in Lyon (2008), and the Giga Hertz Award from the ZKM/EXPERIMENTALSTUDIO in Germany (2010). In 2014, he was chosen by IRCAM for the artistic research residency on interaction in mixed music works. He is currently in the music doctorat program (research in composition) at IRCAM organized in collaboration with Sorbonne Université and the UPMC.His research project focuses primarily on writing for electronics and research on new tools for the creation of mixed and electroacoustic music.In parallel to his activity as a composer, he works on a range of educational projects and creation in connection with computer music.

José Miguel Fernández 在阿根廷布宜诺斯艾利斯的Chili大学和音乐研究与制作实验室（LIPM）学习音乐和作曲。之后，他在里昂国家高等音乐与舞蹈学院学习作曲，并在IRCAM学习了Cursus课程。他创作乐器，电声和混合音乐作品。他的作品曾在美洲，欧洲，亚洲和大洋洲演出，并在多个音乐节上制作了混合音乐和电声音乐会。José Miguel Fernández赢得了Bourges国际电声音乐比赛（2000），Grame-EOC在里昂举办的国际作曲比赛（2008），以及德国ZKM / EXPERIMENTALSTUDIO颁发的Giga Hertz奖（2010年）。 2014年，他被IRCAM选为混合音乐作品互动的艺术家驻留。他目前正在就读索邦大学和UPMC合作举办的IRCAM音乐博士课程（作曲研究）。他的研究项目主要集中在电子音乐写作和研究混合和电声音乐创作的新工具上。在作为作曲家的活动的同时，他还参与了一系列与计算机音乐相关的教育项目和创作。

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Marc Battier

Marc Battier is an electroacoustic music composer and a distinguished professor at Shenzhen University. He is also emeritus professor at Sorbonne University (Paris) and has been teaching at the University of California (San Diego and Irvine, USA), the Montreal University in Canada and Aichi University of the Arts in Japan. He worked at the IRCAM (Paris) music research institute, founded by Pierre Boulez. In his young years, he has been assistant to well known composers such as John Cage, François Bayle, Karlheinz Stockhausen, Joji Yuasa and others. As a musicologist, he has published many articles and several books on the history of electronic music and is active with professional journals such a Computer Music Journal, Leonardo Music Journal and Organised Sound. He is particularly interested by electronic music in Asia and has founded a research network, EMSAN, which means Electroacoustic Music Studies Asia Network. He also is a founder of the Electroacoustic Music Studies Network which organizes annual conferences to develop musicology of electronic music and he hopes to organize a conference here in Shenzhen in the coming years. For his work as composer, he has received many commissions from France, USA, China, Japan, and has composed many works, including several for Asian instruments, often presented in the CCOM festival in Bejing. He also has made music for art films.

电子音乐作曲家，深圳大学客座教授。他还是索邦大学（巴黎）的名誉教授，并曾在加州大学（美国圣地亚哥和欧文），加拿大蒙特利尔大学和日本爱知艺术大学任教。他曾在Pierre Boulez创立的IRCAM（巴黎）音乐研究所工作。在他年轻的时候，他一直是多位著名作曲家的助手，如John Cage，FrançoisBayle，Karlheinz Stockhausen，Joji Yuasa等。作为一名音乐学家，他发表了许多关于电子音乐史的文章和著作，并积极参与计算机音乐杂志，莱昂纳多音乐杂志和组织声音等专业期刊。他对亚洲的电子音乐特别感兴趣，并建立了研究机构EMSAN，代表电子音乐研究亚洲网络的缩写。他还是电子音乐研究机构的创始人，该机构组织年度会议以研究电子音乐学，他希望在未来几年在深圳组织一次会议。作为作曲家，他收到了来自法国，美国，中国，日本的许多委约，并创作了许多作品，其中包括一些亚洲乐器，通常在北京的CCOM音乐节上演。他还为艺术电影制作音乐。

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Mikhail Malt / 米哈尔·麦尔特

I am a Researcher in the Musical representations team of IRCAM, Computer Music Designer Teacher (within the IRCAM Department of Pedagogy), Associate Research Director at Sorbonne University and Composer. I have a scientific and musical background (Engineering, composition and conducting) and my research focuses mainly on the theme of computer-assisted music writing (computer-assisted composition) and musical formalization. Since my arrival at IRCAM (October 1990 as a student and 1992 as a research composer) my main activity has been between research and teaching especially in the composition and computer music curriculum.Currently, my work is developing on three axes:

• Modeling and musical representation: the study of the expressivity of formal models in computer-assisted composition, and in real-time generative music, and the modeling of open works),• the development of interfaces and tools for computer-assisted composition,
• Musical analysis and computer-assisted musical performance and musical creation.

我是IRCAM音乐表现团队的研究员，计算机音乐设计师，教师（IRCAM教育部），索邦大学副研究主任和作曲家。我有科学和音乐背景（工程，作曲和指挥），我的研究主要集中在计算机辅助音乐写作（计算机辅助作曲）和音乐形式化。自从我到达IRCAM（1990年10月作为学生，1992年作为研究学者作曲家）以来，我的主要活动是研究和教学之间，尤其是作曲和计算机音乐课程。目前，我的工作是在三个轴上发展：建模和音乐表现：正式模型在计算机辅助作曲，实时生成音乐和开放作品建模中的表现力研究，开发用于计算机辅助作曲的界面和工具，音乐分析和计算机辅助音乐表演和音乐创作。

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Carlos Delgado

Carlos Delgado’s music has been heard in concerts, festivals, and radio broadcasts all around the world. His works have been presented at venues such as Merkin Recital Hall in New York; the 11th Biennial Symposium on Arts and Technology; the Rencontre Internationale de Science & Cinema (RISC) in Marseille, France; the Strada Facendo Festival, in Pisa, Italy; the International Contemporary Music Week and the International Society for Contemporary Music’s World Music Days in Bucharest, Romania; and the BKA Theater in Berlin, Germany. His electroacoustic and acousmatic works have also been included in three editions of EMUFest at Conservatorio Santa Cecilia, Rome; the 2013 and 2014 Festa Europea della Musica festivals in Rome; and the 2018 New York City Electroacoustic Music Festival. A winner of the 1996 Society of Composers CD Series Award, his works have been recorded by world-class artists such as Emil Sein, Corrado Canonici, Roger Heaton, and Beate-Gabriela Schmitt, and are available on the New World Records, Living Artist, Capstone Records, and Sonoton ProViva labels. He has appeared as a laptop performer at Symphony Space and the Abrons Art Center (New York); the Titu Maiorescu Romanian Cultural Institute in Berlin; the Musica Senza Frontiere Festival, in Perugia; and many others.

卡洛斯·德尔加多的音乐曾在阿根廷、澳大利亚、英国、芬兰、法国、德国、匈牙利、意大利、日本、罗马尼亚、西班牙和美国的音乐会、音乐节和无线电广播中上演。他的作品在诸如纽约的默金独奏厅、在康涅狄格州阿默曼中心礼堂举办的第十一届艺术与科技双年研讨会——新创意、英国伦敦的圣贾尔斯·克里普盖特/巴比肯、法国马赛的国际科学与电影会议、意大利比萨的前进音乐节、罗马尼亚布加勒斯特的国际当代音乐周和国际当代音乐协会的世界音乐日、德国柏林的BKA剧院等地方上演。他的电声音乐作品和声学作品也被纳入2011、2012和2013年罗马圣塞西莉亚音乐学院的EMUFest音乐节;2013年和2014年罗马的Festa Europea della Musica 音乐节以及2018 年纽约的电子音乐节。作为作曲家协会CD系列大奖的获得者，他的作品被诸如Emil Sein, Corrado Canonici, Roger Heaton, and Beate-Gabriela Schmitt等世界级艺术家所演奏并录音。这些录音可以在New World Records, Living Artist, Capstone Records,和 Sonoton ProViva labels的唱片公司的目录中找到。他作为一个笔记本电脑音乐表演者曾在纽约的交响乐空间和古希腊艺术中心、柏林的罗马尼亚文化学院、葡萄牙的Musica Senza Frontiere音乐节以及很多其它地方演出。

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Tiange Zhou

Born in China 1990, Tiange Zhou is a composer, photographer, designer, and improvisational dancer. She is interested in interactive audiovisual art and other integrated art forms. Her artworks are exhibited and performed across Asia, Europe, and America. Tiange's music has received international recognition through performances by musicians from Mivos Quartet, I.C.E., S.E.M. Ensemble, Phillip Glass Ensemble, Yale Camerata, Neue Vocalsolisten, Sandbox Ensemble, Talujon Ensemble, Third Coast Percussion, Loadbang, Yale Philharmonia and Albany Symphony. Besides receiving the Baumgardner Fellowship for the residence composer in the Norfolk chamber music festival 2016, Tiange's work - Lament for Adonis was a finalist for the American Prize in the chorus music division and collected by American classical radio station WQXR. Her chamber work hEArT won the first prize of Kirkos Kammer International Composition Competition in Ireland. And her solo violin piece A Mirror for a Dream was chosen as one of the contemporary pieces for the Musical Summer Malaga 2016 6th International Solo Violin Competition.

Recently, Tiange is pursuing her Ph.D. in composition at the University of California, San Diego where she studies with Prof. Roger Reynolds for composition, Prof. Tom Erbe for computer music and Prof. Mark Dresser for performance practice and open score research. She completed her master's degree at Yale University where she studied with Prof.David Lang, Prof.Martin Bresnick, Prof.Aaron Jay Kernis, and Prof.Hannah Lash. At the same time, she worked at Yale College as a teaching fellow in music technology. In 2014, she earned a Bachelor of Music degree at Manhattan School of Music, studying with Prof. Nils Vigeland and Prof.Reiko Fueting. She also completed an exchange program at Staatliche Hochschule für Musik und Darstellende Kunst, Stuttgart from 2012 to 2013.

Besides concert music writing, Tiange participates in numerous collaborative projects with visual artists, dancers, filmmakers and theater producers. She studies contemporary dance and theatre design in the UCSD theatre and dance department along with her Ph.D. of Music journey. Tiange's works are affected by modern sociology and psychoacoustic research. She has done several projects about contemporary social psychological dilemmas, which she concerns.

周天歌生于1990年夏，是一名作曲，摄影师，设计师和即兴舞者。她致力于视听交互艺术以及多类跨界艺术表现形式。她的艺术作品在亚洲，欧洲和北美皆有展览和演出。与天歌合作的艺术团体有Mivos Quartet, I.C.E., S.E.M. Ensemble, Phillip Glass Ensemble, Yale Camerata, Neue Vocalsolisten Sandbox Ensemble, Talujon Ensemble, Third Coast Percussion, Loadbang，Yale Philharmonic, 和Albany Symphony. 天歌曾在2016年获得Baumgardner基金资助美国Norfolk 室内乐音乐节的驻节作曲。她的作品《献给阿多尼斯的悼歌》入围American Prize 总决赛，并被评纽约古典音乐电台WQXR收录，其作品《心》获得爱尔兰Kirkos 室内乐国际比赛头奖，其小提琴作品《梦之镜》成为西班牙Malaga 国际小提琴比赛指定选手参赛曲目。

天歌目前在加州大学圣地亚哥校区攻读作曲博士学位。她追随Roger Reynolds教授学习作曲，追随Tom Erbe教授学习电子音乐，以及追随Mark Dresser做关于演奏技巧与非常规记谱法的研究。此前，天歌于美国曼哈顿音乐学院和耶鲁大学音乐学院分别获得音乐学士和硕士学位，师从作曲家 Reiko Fueting, Nils Vigeland, David Lang, Martin Bresnick, Aaron Jay Kernis, and Hannah Lash几位导师，并在耶鲁本科学院助教电子音乐技术制作课。在此期间，天歌有幸于2012至2013年之间在斯图加特音乐与表演艺术大学交换学习，并深受影响。

除音乐会作品外，天歌大量参加与视觉艺术家，舞者，电影团体，和戏剧制作团体的合作，在攻读作曲博士之余，她还在戏剧舞蹈系学习专业当代舞和舞台美术。天歌的研究深受现代社会学和声学心理学的影响，她把大量的作品内容指向当代社会心理困境。

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Allen Weng

Artist, Music Technology Engineer, RIM@Shanghai Conservatory of Music. Master of Music Technology in Shanghai Conservatory of Music and Master Degree of RIM in University Jean Monnet in Saint Etienne, France. Focus on musical/mixed media creations: real-time interactive theatres, sound and visual installations, artistic mobile applications, etc. Always participating in the festivals like EMW, ICMC, NIME, RAW; and research projects, forums, and realization of concert with GRAME, IRCARM, CCRMA, etc.

翁若伦，计算机音乐工程师，融合新媒体交互设计师。2017 年工作至今，任职于上海音乐学院音乐工程系。上海音乐学院与法国圣埃蒂安大学硕士毕业,方向音乐科技。多次参与交互式多媒体演出的工程设计搭建和科研，包括:由法国国家创作机构 GRAME 中心主持的多项音乐与科技项目，上海音乐学院国际电子音乐周(EMW)；第 43/44 届国际计算机音乐大会(ICMC-2017/2018)，ICMC-2017 期间发表的论文获得最佳论文奖；2014 及 2017 年上海国际艺术节扶持青年艺术家计划，上演其参与主创作品；2018年国际 Faust 音频语言大会, 进行论文宣讲。主要研究领域包括：基于手机等智能移动终端的音频处理类应用开发，新型乐器搭建；基于新媒体剧场的“增强现实”舞台的搭建设计，运用传感器等的捕捉设备，实时衍生乐手/表演者的舞台表现语言，并进行后续的电子效果处理；基于观众体验参与感的交互式音乐/多媒体装置等。

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Augustin Muller

After studying music (classical percussion, jazz and improvised music) and scientific studies, Augustin Muller was trained at the Conservatoire de Paris (CNSMDP) and graduated from the Higher Training at the Métiers du Son in 2010. Specialized in computer music production , since then, he works in France and abroad with different artists, ensembles (the Balcon, the Ensemble Intercontemporain, International Contemporary Ensemble, 2e2m, the Geneva Chamber Orchestra ...) for concerts and festivals (Manifesto Ircam, Musical Biennale of Venice, Musica, Berlioz Festival ...).Coming from a generation directly confronted with the question of the interpretation of the mixed repertoire, he wrote his Master thesis at IRCAM on this subject. He works there since regularly for projects of concerts, research or creations.Augustin has worked with many composers (M Levinas, Garcia-Velasquez, R.HP Platz, JP Carreño, L. Durupt, F. Bedrossian ...), musicians and performers and is involved in several projects at the level of sound diffusion, electronics and new technologies, as for example with the ensemble Le Balcon since 2008. In 2014, he realized the electronic part and the sound design of the opera Le Petit Prince by Michael Levinas from St Exupéry for the Opéra de Lausanne, the Lille Opera and the Théâtre du Châtelet.Former student of the generative improvisation class of the CNSMDP, Augustin also works with many improvisers (ONCEIM & Stephen O'Malley, Frederic Blondy, Eve Risser, Jean-Luc Guionnet ...) for discographic projects or concerts (festival METEO, CRAK ...).

在学习音乐（古典打击乐，爵士乐和即兴音乐）和科学后，Augustin Muller在巴黎音乐学院（巴黎音乐学院）深造，于2010年毕业。从事电脑音乐制作，从此，在法国工作，和国内外不同的艺术家，合唱团（the Balcon, the Ensemble Intercontemporain, International Contemporary Ensemble, E2M，日内瓦的室内乐团...）音乐会和音乐节合作（ Ircam Manifesto，威尼斯音乐双年展，Musica，柏辽兹节......）。就直接面对混合曲目的解释这一问题，在IRCAM实现了自己的硕士论文。他定期在那里工作，参加音乐会，研究或创作项目。Augustin Muller曾与许多作曲家（M Levinas, Garcia-Velasquez, R.HP Platz, JP Carreño, L. Durupt, F. Bedrossian ...），音乐家和演奏员工作，参与多个项目负责扩声，电子音乐和新技术实现，如，从2008年起与Le Balcon乐团合作，2014年他曾为歌剧的小王子实现电子和声音设计。作为曾经CNSMDP即兴生成课程的成员，也与许多即兴表演家（ONCEIM & Stephen O'Malley, Frederic Blondy, Eve Risser, Jean-Luc Guionnet ...）合作音乐会（METEO艺术节，CRAK ...).

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Qiangbin Chen

Qiangbin CHEN,composer,and is currently a professor at Shanghai Conservatory of Music. He also served as the president of Shanghai Computer Music Association. His major works include Hxak for String Sextet,first prize winner in the 2005 Chamber Music Group National Competition. Line 9,for dancer, harp, interactive electronic music and video. As one of the leading creators in the field of electronic music and new media music in today’s China,Chen established Shanghai International Electronic Music Week in 2006. Chen was invited to serve as a jury of the International Compendium – Prix Ars Electronica 2008 in Linz, Austria. As the conference chair,he hosted the 2017 International Computer Music Conference.As a producer and artistic director, he designed and directed several concerts such as Harmonization between Tradition and Modernity for Chinsese traditional instruments and electronic music, Feeling and Moving,a concert combind with new media and electronic music, Chinese Opera Meets Animation for Chinese orchestra and animation and E-Sonic3 — Hyper Sense Space, an atypical cross-media art exhibition.

作曲家，上海音乐学院教授，上海计算机音乐协会会长。他的代表作包括《飞歌》——为弦乐六重奏而作（2005全国音乐作品比赛“文华节目”室内乐一等奖）、《Line9》——为舞者、竖琴、交互式电子音乐与视频而作(2011)等。作为当今在中国电子音乐与音乐新媒体领域站在最前沿的创导者之一，2006年他创办了上海国际电子音乐周。2008年，他受邀担任奥地利Prix Ars Electronica国际电子艺术大奖赛评委。作为大会主席，他主持了2017第43届国际计算机音乐大会。作为制作人、艺术总监，他创意制作的音乐会有：“传统与现代在这里交汇——中国传统器乐与电子音乐”、“感•动——新视觉电子音乐会”、“戏曲动画——中国民族管弦乐队与戏曲动画”、“声立方-超感官空间”——从听觉出发的非典型跨媒介艺术展演等。

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Tong Chen / 陈桐

Tong Chen, young composer, new media art researcher and designer. She majored in Electronic Music Composition since 2011, and got bachelor and Master of Art degree at Sichuan Conservatory of Music with Professor Xiao Hu and Takayuki Rai. Now she is a composition teacher in college. She studied electronic music with Professor Jeffery Stolet in Oregon University, and learned Faust language with Yann Orlareyo in Hanyang University, Korea. Her works have won awards and performed in different competitions and music festivals in the United States, South Korea, Uruguay, Taiwan, Beijing, such as Musicacoustica-Beijing, ICSC (International Csound Conference), WOCMAT, etc. Her pieces were performed by viola player GuangYue Su, who is the principle viola player of Chicago orchestra. In recent years, she founded Signal Light Art Group with other artists, and began to work on new media pieces. Her installation works have been performed in the ChengduMOCA and other art centers.

陈桐，青年作曲家，教师。2011年考入四川音乐学院电子音乐系并获得本科及硕士学位，师从胡晓和莱孝之教授；曾在美国俄勒冈大学跟随Jeffery Stolet教授学习电子音乐；以及韩国汉阳大学跟随Yann Orlareyo学习“Faust”。她的作品在美国、韩国、乌拉圭、台湾、北京等多个比赛和音乐节获奖和公演，如：北京国际电子音乐节、ICSC、WOCMAT等。她的作品《Manjusaka》与芝加哥交响乐团中提琴首席苏广跃先生合作，于2016年演出。近年来，陈桐作为活跃的青年作曲家与多位艺术家成立“信号灯艺术小组”并开始新媒体创作，其作品在成都美术馆等艺术空间展出。

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Zhang Wei

Dr. Zhang Wei is the professor of composition faculty in Shanghai Conservatory of Music and the doctoral supervisor in music theory. He now is serving as the dean of Graduate School of Shanghai Conservatory of Music. Moreover, he has quite many titles like Shanghai Leading Talents,the member of National Education Committee for Graduate Students of Art, secretary-general of China Academy of Music Analysis, secretary of Review Panel of Subjects of Music and Dance under the State Department, member of Shanghai’s Review Panel of Subjects of Music and Dance, and member of Shanghai Music Association. He left his footprints in universities of America, United Kingdom, Germany and Australia as a visiting scholar. He has more than 30 academic papers published in China’s core periodicals. He also published 3 academic books including Study on the form and function of music rhythm structure—the matter of Rhythm Structure Dynamism.

张巍，博士，上海音乐学院作曲系教授，作曲技术理论方向博士生导师。上海音乐学院研究生部主任、上海市领军人才、全国艺术专业学位研究生教育指导委员会委员、中国音乐分析学会秘书长、国务院音乐与舞蹈学科评议组秘书、上海市音乐与舞蹈学科评议组成员、上海音协理事。曾作为访问学者、访问教授先后访问了美国、德国、英国与澳大利亚的多所大学。出版学术著作三部并在国内核心期刊中发表学术论文三十余篇，其中主要的学术著作有《音乐节奏结构的形态与功能——节奏结构动力若干问题的研究》等。

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Francesco Casciaro

Musician and researcher in the field of experimental electro-acoustic music. From 2010 to 2018 he was a member of the research and production staff at the Tempo Reale Centre, located in Florence and founded by Luciano Berio in 1987. He is mainly involved in the design and development of interactive sound and musical systems that are used in different areas of the live show: Theatre, Dance, Inter-media Installations and Concerts. Over the years he worked on various types of projects as a musician, composer, sound designer and maker. Recently his interest is focused on the research and development of new musical instruments using obsolete and/or recycled technological devices.

弗郎西斯科.卡萨卡罗是实验电声音乐领域的音乐家和研究者。从2010年到20018年他是Tempo Reale中心的研究者和创作者，这一机构是由卢西亚诺.贝里奥在1987年于佛罗伦萨创立的。他主要的研究涉及互动音乐和音乐系统的设计与发展，这些音乐被运用于不同现场表演之中，如戏剧、舞蹈、媒体设施和音乐会。近年来他以一个音乐家、作曲家、声音设计者和制作者的身份转换于不同种类的项目之中。最近他的研究兴趣聚焦于新乐器的研究和发展，这些发展基于已淘汰或可回收的技术设备之上。

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Fang Dalei

FANG Dalei is associate professor of Music Engineering Department, graduate tutor, council member of SCMA, AES Full Member and the technology director of Shanghai EMW. He is known for his creativity of music technology and experience of sound system and interactive program design. Concerts and exhibition he worked as the Director of Technology includes: Shanghai eARTs opening concert (2007), sound installation "Touch the Sound" (2011) and "Multimedia Concert" at Hamburg Hochschule für Musik und Theater (2011), Esonic3 (2015) and ICMC 2017. He was also the sound system engineer of the winning piece of Prix Ars Electronica 2008. His interactive program includes “Mirror of Mind” at 2012 Shanghai International Arts Festival which was also invited by Asia Society and Coil Festival to be performed in New York in 2014.

房大磊, 上海音乐学院音乐工程系副教授，研究生导师，上海计算机音乐协会理事，上海音乐学院国际电子音乐周技术总监。他在音乐科技方面极具创新意识，并对音响系统及交互式程序设计有着丰富的实践及经验。作为技术总监参与的大型演出：2007年首届上海电子艺术节开幕式音乐会，2011年《触摸声音》声音装置展，2011年德国汉堡音乐戏剧大学多媒体音乐会，2015年声立方-超感官空间展演，2017年ICMC国际计算机音乐会议等。同时作为奥地利Prix Ars Electronica 2008电子艺术展获奖作品的音响技术工程师。由他负责的交互式程序设计有2012年上海国际艺术节新媒体音乐剧场《意镜》（该作品受美国亚洲协会及线圈艺术节邀请于2014年在美国纽约演出）等。

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Wei Xiaoxi

Born in Kunming, Yunnan Province. During my younger years, while studying composing and computer music producing with Mr. Xiaogen Liu, I developed a strong interest in electroacoustic music and the technology, and feel obliged for the evolution of native music and culture. After the study with Mr. Mingzhu Song in Sichuan Conservatory, majoring composing, I went to France, where I studied with Frédéric Boulard, a composer and the director of conservatoire de Douai, and also studied symphony orchestra conducting with Mr. Pierre Vigneron. After returning to China, I became the stand conductor of Kunming Guandu Symphony Orchestra. In 2011, I also established BelleVille Ensemble, which focuses on the arranging and performance of film music with multi-media. Since 2017, I have been a doctor student at Shanghai Conservatory of Music, Learning electroacoustic music composition with Prof. Qiangbin Chen.

云南昆明人，自幼师从作曲家刘晓耕先生学习作曲和计算机音乐制作，同时，对电子音乐及技术开始了强烈追索和学习，并对民族和本土文化的进化心怀使命感和乡土情怀;本科阶段，就学并毕业于四川音乐学院作曲系，师从宋名筑先生;自2006年赴法国杜埃国立音乐学院学习，师从作曲家及院长 Frédéric Boulard 先生研习作曲，同时，师从 Pierre Vigneron 先生，学习管弦乐指挥，获高等管弦乐指挥证书;2009年回国后，分别在昆明聂耳交响乐团和昆明官渡交响乐团担任指挥及常任指挥;自2011年，创立“ BelleVille Ensemble” 小型乐团，致力于电子和原声乐器结合的多媒体电影音乐融合研创表演;自2017年至今，为上海音乐学院电子音乐作曲专业博士研究生，师从陈强斌教授。

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Giovanni Santini / 乔凡尼·桑蒂尼

The research of Giovanni Santini is focusing on more recent developments of Virtual and Augmented Reality applied to musical performance. He is especially interested in exploring the new possibilities offered in terms of musical notation and virtual interfaces. He is a Ph.D. candidate in Music Composition at Hong Kong Baptist University and has been Visiting Scholar at UC Berkeley during fall semester 2018. Has presented his research at Conferences at McGill University, UC Berkeley and Ircam, among the others. Articles about his research have been published in Conference Proceedings (TENOR 2018, SMC 2019) and Journals (Lecture Notes on Computer Science). Previously obtained degrees in Composition in Basel, Lugano and La Spezia. Has been also student of S. Sciarrino and G. Netti. Took part to international master-classes with composers like B. Furrer, P. Billone, F. Filidei, C. Czernowin and many others. Frequented also the courses of impuls Academy, Chigiana academy, Harvard Summer Composition Institute, Manoury Composition Academy and Electronic Music courses at Scuola Civica in Milan and Elektronisches Studio in Basel. His music has been performed by ensembles like Talea, Phoenix, Laboratorium, and more.

乔瓦尼·桑蒂尼（Giovanni Santini）的研究重点是将虚拟现实和增强现实技术应用于音乐表演的最新发展。他对探索音乐符号和虚拟界面方面的新可能性特别感兴趣。他是香港浸会大学音乐作曲的博士候选人，并于2018年秋季学期成为加州大学伯克利分校的访问学者。他曾在麦吉尔大学，加州大学伯克利分校和 Ircam 的会议上介绍他的研究。有关他的研究的文章已发表在会议论文集（TENOR 2018，SMC 2019）和期刊 Computer Science 的 Lecture Notes 中。先前在巴塞尔（Basel）、卢加诺（Lugano）和拉斯佩齐亚（La Spezia）获得作曲学位。他是 S. Sciarrino 和 G. Netti 的学生，与 B.Furrer、P.Billone、F.Filidei、C.Czernowin 等作曲家一起参加国际大师班。他固定在 IMPULS 学院、Chigiana 音乐学院、哈佛夏季作曲学院、Manoury 作曲学院、米兰 Scuola Civica 电子音乐课程，以及巴塞尔的 Elektronisches Studio 上课。他的音乐曾由 Talea、Phoenix、Laboratorium 等乐团演奏。

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Aven le Zhou / 周乐

Aven Le Zhou is a Chinese artist and creative technologist works with Artificial Intelligence. He founded the AI augmented creativity and art studio -- artMachines and leads cross-disciplinary practices in said organization. His artworks and research interests spread in interactive media, generative art and machine vision for arts applications. He has recently focuses on utilizing artificial intelligence/machine learning to create art. As an artist, Aven’s practices focus on AI art and interactive media. His first solo exhibition “The Love of Shanshui”（乐山爱水）was held in Shanghai Duolun Museum of Modern Art. Some of his recent solo exhibitions include "Chinese New Literati, 2019. Shanghai World Expo Exhibition& Convention Centre, Shanghai", "Chinese New Literati, 2019. Shanghai Da Ning Library, Shanghai", and some selected group exhibitions include Dialog: a bit more AI, 2018. Fouhaus +, Shanghai", "SHANSHUI-DaDA: A Platform to Design and Draw with AI, 2018. Yeah!Nah Gallery, Shanghai", " Machine Learning for Creativity and Design at NeurIPS, 2018. AI Art Gallery, Montreal".

周乐(Aven)是一名中国艺术家和技术创造者，以人工智能为主要创作媒介。他于2018年创立AI赋能创意设计组织-artMachines-并带领该团队从事跨领域艺术实践。他的艺术探索和研究跨越多个领域，包括交互媒体艺术、计算机生成艺术和机器视觉的艺术应用。最近他专注于使用人工智能去创造艺术。周乐的人工智能艺术作品于世界多地展览，其首个个展“乐山ai水”于上海多伦现代美术馆开幕（01/11/2019 - 02/25/2019）。近期个展包括“中国新文人, 2019。宁的书房，上海”，“中国新文人, 2019。世博展览馆，上海”。近期群展包括“机器学习与艺术设计@NeurIPS，2018。AI艺术画廊，蒙特利尔。“对话：多一点儿「AI」，2018。缶+文创空间，上海”，“达达山水：AI协作设计和绘画平台，2018。Yeah!Nah!画廊，上海”。

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Jialin Liu / 刘家麟

Jialin LIU (China, 1995) went to the Music Middle School Affiliated to the Shanghai Conservatory of Music (SMMS) at the age of 12 and studied composition, piano, and music theory under GUO Liang and LIU Dongmei. After moving to Europe in 2014, he studied a Bachelor in composition and electronic music under Marco Stroppa and Michael Reudenbach at the University of Music and Performing Arts Stuttgart. In 2018, he was selected by the IRCAM Cursus program for composition and computer music in Paris, mentored by Thierry de Mey and Mikhaïl Malt. After the year-long program, he was admitted to the Conservatoire national supérieur de musique et de danse de Paris (CNSMDP) for his Master study in composition and mixed music with Frédéric Durieux. His thoughts on music and creation come not only from the collision between the traditional cultures and new technologies, but also from his experience under the master classes of Luca Francesconi, Beat Furrer, Philippe Leroux, Philippe Manoury and Tom May. His mastery of new technologies has benefited from the guidance of teachers such as Marco Stroppa, Mikhail Malt, Marco Liuni, Jean Lochard, Grégoire Lorieux, and Piet J. Meyer. Recently, he is obsessed with the research and practice of physical modelling technology, and is devoted to exploring the combination of the physical modelling technology with the architecture, the sound installation and the musical instrument design, which are applied into a series of his recent works.

2008年考入上海音乐学院附中作曲系，师从郭良老师，钢琴师从刘冬梅老师。19岁同时被德国五所国立音乐学院本科录取，随后赴德留学，进入斯图加特国立音乐与表演艺术大学跟随意大利作曲家马可·斯特罗帕教授（Marco Stroppa）和德国作曲家米歇尔·海登巴赫教授（Michael Reudenbach）学习器乐作曲与计算机音乐。2018年3月任德国卡尔斯鲁厄国立音乐学院研究助理（Common-Lisp语言的音乐性应用）。23岁（2018年9月）进入法国蓬皮杜中心音乐与声学协作研究所（IRCAM）研习作曲与音乐信息学，师从比利时作曲家蒂耶里 • 德 • 梅（Thierry De Mey），技术方面师从米哈尔·马尔特（Mikhail Malt）。同期被选为巴黎国际艺术城的驻地作曲家（Composer-in-Residence）。2019年被法国巴黎国立高等音乐舞蹈学院（CNSMDP）硕士作曲系录取，跟随法国作曲家弗雷德里克·杜里厄教授（Frédéric Durieux）学习作曲与电子音乐至今。他对音乐与作曲的思考不仅来源于对传统文化和新技术的思辨，同样来源于他与 Luca Francesconi、Beat Furrer、Philippe Leroux、Philippe Manoury、Tom May 等作曲家在大师课上的学习交流，而对前沿技术的掌握则得益于 Marco Stroppa、Mikhail Malt、Marco Liuni、Jean Lochard、Grégoire Lorieux、Piet J. Meyer 等老师的悉心指导。近期他痴迷于对物理建模技术的研究和实践，致力于该技术与建筑、音响装置、乐器设计及制造的结合，并将其实验成果运用到一系列近期作品之中。

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Paola Palumbo / 保拉·潘博

Paola Palumbo is coordinator of Forum Ircam since 1999. The Forum Ircam is the community of users of Ircam software that include the platform forum.ircam.fr and Forum workshop where converge artists and scientists of all around the world. Since 2011 she is also coordinator of Research and Creativity Interfaces Department and follow artists in the IRCAM Musical Research Residency Program. She is co-founder of Ircam Live concerts and of Forum Hors les Murs events (Seoul 2014, Buenos Aires and Sao Paulo 2015, Taiwan 2016, Santiago du Chili 2017, Shanghai 2019, Montreal 2020). She is in charge of several international partnership with universities and cultural organisations. Previously she received a Master Degree in Public Politics and Social change "Cultural Project Management" at the University Pierre Mendès France (UPMF), Institut d’Etudes Politiques (IEP) of Grenoble and a Master Degree in Political Science at the University « La Sapienza » Roma ( Italy).

Paola Palumbo 自1999年以来一直是 Forum Ircam 的协调员。 Forum Ircam 是 Ircam 软件的用户社区，其中包括平台 forum.ircam.fr 和论坛工作坊，汇集了来自世界各地的艺术家和科学家。自2011年以来，她还是「研究与创意介面部门」的协调员，以及 IRCAM 音乐研究驻留计划中的艺术家。她是 Ircam Live 音乐会和 Hors les Murs 论坛活动的共同创始人（汉城2014年，布宜诺斯艾利斯和圣保罗2015年，中国台湾2016年，智利圣地亚哥2017年，上海2019年，蒙特利尔2020年）。她负责与大学和文化组织建立多个国际合作伙伴关系。之前，她获得了法国皮埃尔·门德斯大学（UPMF）公共政治和社会变革的“文化项目管理”硕士学位，格勒诺布尔政治学院（IEP），以及萨皮恩扎大学的政治学硕士学位（罗马，意大利）。

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Frank Madlener / 弗兰克·马德纳

Frank Madlener is a pianist and conductor, a cultural and artistic manager ; he has overseen many festivals and musical events. Since 2006, Madlener has served as the director of IRCAM (Institut de Recherche et Coordination Acoustique/Musique), a dynamic and innovative research institute founded at the Centre Pompidou in the late 1970s, where he had previously held the position of artistic director. As the director of IRCAM, Madlener explores the relationship between man and machine and how technology affects the composer. His goal is to implement technology in compositions for particular instruments as well as the entire orchestra. He exposes broad audiences to innovative and experimental pieces of music.

弗兰克·马德纳是一位钢琴家兼指挥家，以及文化和艺术经理。他监督过许多音乐节和音乐活动。自2006年以来，马德纳一直担任 IRCAM 的主任，这是一个充满活力和创新的研究机构，于1970年代后期在蓬皮杜艺术中心成立。此前他曾在此担任艺术总监。作为 IRCAM 的主管，马德纳探索人与机器之间的关系，以及技术如何影响作曲家。他的目标是为特定乐器或整个乐队中实现技术。他时常向广大听众介绍创新和实验性的音乐。

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Marco Bidin

Marco Bidin is a composer, organist and harpsichord player, currently working as a Tutor for the Studio for Electronic Music at the HMDK Stuttgart. After graduating in Organ, he studied Early Music in Trossingen and Contemporary Music performance in Stuttgart, where he recently completed the Concert Exam in Composition and the Certificate of Advanced Studies in Computer Music under the guidance of Prof. Marco Stroppa. He lectured, gave courses and performed as a soloist in Europe and Asia, and his compositions have been performed in Germany (ZKM Karlsruhe, HMDK Stuttgart, ...), France (CNSMD Lyon, Cité Universitaire Paris), Portugal (DME Seia), Canada (Sound of Dragon Vancouver), Italy, South Korea, Japan and China.

Marco Bidin 是一位作曲家、风琴家和大键琴演奏家，目前在斯图加特 HMDK 的电子音乐工作室任教。在 Organ 毕业后，他在 Trossingen 学习早期音乐，并在斯图加特学习当代音乐表演。他最近在 Marco Stroppa 教授的指导下完成了作曲音乐会考试，以及计算机音乐高级研究的认证。他在欧洲和亚洲演讲、授课并担任独奏家演出。他的作品曾在德国（ZKM Karlsruhe，HMDK 斯图加特...等）、法国（CNSMD 里昂，巴黎大学城）、葡萄牙（DME Seia）、加拿大（温哥华之龙）、意大利、韩国、日本和中国等地演出。

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Yongbing Dai / 戴永冰

Dai Yongbing, China, graduated from Wuhan Conservatory of Music, majoring in computer music composition. Member of China Electronic Music Society, member of Hunan Provincial Music Association, national intermediate recording engineer. Among them, The Youth of Dream-seeking, an song ,won the Top Ten Original Song Award of the Youth of the 2014 Nanjing Youth Summer Olympics; The Love of the Liyuan, an work , won the third prize of the Beijing International Electronic Music Festival Group A. Fire Waterfall fire fall, The soundtrack, won the nomination for the 2014 Yamaha/Nuendo Soundtrack Competition.Fuxi, an electronic music work, was selected into the WOCAMT2016 International Computer Music and Audio Technology and IRCAM Workshop Joint Seminar.Dot-Sky, an audio-visual work, was selected for the 2018 ICMC Korea Daegu performance.

戴永冰湖南岳阳人硕士研究生毕业于武汉音乐学院计算机音乐作曲专业。中国电子音乐学会会员，湖南省音协会员，国家中级录音师。其中歌曲《追梦的青春》荣获2014南京青年夏季奥运会青少年十佳原创歌曲大奖；作品《梨园之苦恋》荣获北京国际电子音乐节A组三等奖。配乐作品《火瀑》－fire fall荣获2014Yamaha－Nuendo配乐大赛提名奖。音画作品Dot-Sky入选2018ICMC韩国大邱演出。电子音乐作品《伏枥》入选WOCAMT2016 国际电脑音乐与音讯技术暨IRCAM工作坊联合研讨会议

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Sylvain Cadars / 西尔万·卡达尔斯

Sylvain Cadars is a sound engineer and acoustic at the IRCAM center (Institute of Acoustic Music) in Paris since 10 years. He had a Master degree in Acoustic and computer for music from university of Paris Jussieu. And he studied electronic in Paris. He participates since 10 years at live concert, recording and opera for contemporary music with electronic and worked with several composers like Pierre Boulez, Hector Parra, Philip Manoury, Alberto Posadas, Franck Bedrossian with different musical ensemble in Europe (Klangforum, ICE New York, MusikFabrik ensemble, EIC ensemble intercontemporain of Paris, Arts nova ensemble, court circuit, etc.

西尔万·卡达尔斯担任巴黎 IRCAM 中心的音响工程师和声学专家至今已有10年。他拥有巴黎朱塞乌大学的声学和计算机音乐硕士学位。他在巴黎学习电子学。他从事电子音乐的当代音乐会、录音和歌剧演出已有10年，并与Pierre Boulez、Hector Parra、Philip Manoury、Alberto Posadas、Franck Bedrossian 等作曲家合作，在欧洲拥有不同的音乐乐团（Klangforum、ICE 纽约、MusikFabrik 乐团、巴黎 EIC 跨时代乐团、新星艺术乐团、Court Circuit乐团）。

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Matteo Cesari / 马特奥·切萨里

Artist, interpreter and researcher as in one, passionately keen on contemporary music, Matteo Cesari (Bologna, 1985) has played as a soloist worldwide, from Europe to China, from Australia to the United States. His musical career path has been enriched from Italy till Conservatoire de Paris and at Université Paris IV (Sorbonne), where he has obtained his doctor degree with the highest honour (congratulations from the jury) in April 2015, specialized in interpretation, research and practice, with his thesis on the interpretation of time in L'orologio di Bergson of Salvatore Sciarrino and Carceri d'Invenzione IIb of Brian Ferneyhough. Being the laureate at several other competitions, he also won the Kranichsteiner Musikpreis at Darmstadt. He has collaborated with numerous soloists of his generation such as the singers Stéphane Degout and Barbara Hannigan, the harpists Anneleen Lenaerts and Émilie Gastaud. As a soloist he has played with BBC Scottish Orchestra and the Ensemble Intercontemporain. He has worked with some of the well-renowned composers, conductors and artists of his time such as Salvatore Sciarrino, Brian Ferneyhough, Pierre Boulez, Péter Eötvös, Matthias Pintscher… He has given quantities of masterclasses and seminars organized by the Conservatory of Shanghai (China), Tokyo University of the Arts (Japan), Monash University (Melbourne, Australia) and University of London (UK). On a very regular base, he works as a teaching assistant in the composition class of Salvatore at Accademia Chigiana of Siena in Italy. Recently he has been invited by Maurizio Pollini to participate as soloist to his Pollini Project at the Toppan Hall in Tokyo and at the Louis Vuitton Foundation in Paris.

艺术家、诠释和研究人员，热衷于当代音乐，马特奥·切萨里（1985年生，博洛尼亚）在世界各地担任独奏家，从欧洲到中国、澳大利亚、美国。他的音乐职业生涯从意大利一直延续到巴黎音乐学院和巴黎第四大学（索邦），在那里他于2015年4月获得了最高荣誉博士学位（并得到评审团祝贺），专业为诠释、研究和实践，论文探讨萨尔瓦多·夏里诺（Salvatore Sciarrino）的作品《L'orologio di Bergson》和布莱恩·费尼霍（Brian Ferneyhough）的作品《Carceri d'Invenzione IIb》中关于时间的诠释。他曾在达姆施塔特（Darmstadt）赢得诠释卓越演出奖（Kranichsteiner Musikpreis）项，以及其他比赛的奖项。他曾与同辈众多独奏家合作，例如歌手 Stephane Degout 和 Barbara Hannigan ，竖琴家 Anneleen Lenaerts 和ÉmilieGastaud 。作为独奏家，他曾与 BBC 苏格兰乐团和现代乐团合奏。他也曾与许多当代著名作曲家、指挥和艺术家合作过，例如 Salvatore Sciarrino、Brian Ferneyhough、Pierre Boulez、PeterEötvös、Matthias Pintscher 等。他为上海音乐学院（中国）、东京艺术大学（日本）、莫纳什大学（澳大利亚墨尔本）和伦敦大学（英国）组织了许多大师班和研讨会。他经常在意大利锡耶纳（Siena）的奇加纳音乐学院（Accademia Chigiana）担任Salvatore 作曲课的助教。最近，他受到毛里齐奥·波利尼（Maurizio Pollini）的邀请，以独奏家身分参加了在东京凸版音乐厅和巴黎路易威登基金会举行的“波利尼项目”。

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Philippe Langlois / 菲利普·朗格卢瓦

Doctor in musicology with a thesis published at editions MF entitled The Bells of Atlantis,Electroacoustic music and cinema, Archeology and history of a sound art,researcher at the IReMus, université Paris-Sorbonne, teacher and composer for images, Philippe Langlois is known for his work at the crossroads of sound and technology, music and film, radio and sonic arts.

音乐学博士，论文发表于 Editions MF，题目为《亚特兰蒂斯的钟声：电声音乐和电影、考古学和声音艺术史》。作为巴黎索尔邦大学音乐研究学院（IReMus）研究员，以及图像老师和作曲家，菲利普·朗格卢瓦以结合声音和技术、音乐和电影、广播和声音艺术而闻名。

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Jiang Siting / 蒋斯汀

Jiang Siting is born on December 27 (Chinese) 1986. He is a composer, sound designer, sound engineer, and performer. He graduated from the Shanghai Conservatory of Music in 2009 major in electronics music composition. In 2012, he entered Kunitachi College of Music (Tokyo) to study contemporary computer music composition with Shintaro Imai. From 2014 until now, he continued his study in the doctoral program (The Doctor of Musical Arts ) at the same school. During 2016-2017, as a composer researcher , he completed the training course CURSUS at IRCAM under the guidance of Hèctor Parra and Mikhail Malt. Siting's compositional activity focuses on aesthetic reflexions of musical time and new concepts of measuring and scheduling sound events. He attempted to integrate various concepts in psychoacoustics into electronic music composition and live performance. In his music, he tries to convey the information contained in work by emphasizing the changes sophistically in the timbre level of sounds. His real-time interactive electronic music works "Au départ (2017)", "To come into focus (2019)" has been performed around the world and widely acclaimed. His composition "Equal-G (2013)" won the most creative and talented award of the International Electronic Music Week hosted by the Shanghai Conservatory of Music (2013).

蒋斯汀（Jiang Siting) 1986年12月27日出生，中国作曲家，音响设计师，音响工程师，演奏家。他于2009年毕业于上海音乐学院音乐设计专业。于2012年进入日本国立音乐大学攻读电脑音乐作曲。师从于今井慎太郎。在以最优秀的成绩（最优秀毕业生奖）完成了硕士的学业以后，从2014年到现在，他继续在同一所学校攻读博士课程（音乐艺术博士学位）, 专攻尖端计算机程序创作当代音乐。在2016年至2017年期间，作为作曲家研究者，他在Hèctor Parra和Mikhail Malt的指导下完成了IRCAM（法国音乐与声学协调及研究学院）的CURSUS课程的培训。他的作曲活动侧重于音乐时间的美学的反思以及测量和安排声音事件的新概念。他尝试将当代音乐音响心理学中的各种音响物理学的概念导入到音乐作品的创作以及演奏当中、并通过强调在声音的细微的音色层面上的变化来传递作品中所包含的信息。他的作品“Au départ （2017）”，“To come into focus （2019）” 在发表以来，已经被世界各地的演奏员在不同的地区演奏并得到广泛好评。他的长笛以与预制电子音响的作品 “Equal-G” 获得了上海音乐学院举办的 “2013年国际电子音乐周”的最具创意和才华奖。

Members of the Sichuan Conservatory of Music

Minjie Lu

Minjie Lu is the associate professor, Master Supervisor of Sichuan Conservatory of Music. She was the visiting scholar of University of Oregon and viewer of ICMC. Her research is focused on interdisciplinary program including electronic music and culture. She has published 4 tutorials and translations about electronic music, 12 papers in CSSCI and Key Journal in China. In addition, she has been in charge of projects sponsored by Ministry of Education Humanities and Social Sciences Youth Fund and China National Art Fund. Her works or papers have won prizes or been selected to present in international activities, including ICMC, SCM, IAWM, EMS, FMO, MUSICACOUSTICA-BEIJING, CHIMES, Sonic Rain, KISS, eARTS, etc,. She also contributes to electronic music education. Her students received awards given by Computer Music Composition Group of Computer Design Competition for College Students in China, MUSICACOUSTICA-BEIJING, Shanghai International Electroacoustic Music Week, etc.

陆敏捷，博士，四川音乐学院电子音乐系副教授，硕士生导师，美国俄勒冈大学访问学者，ICMC 国际评审;出版译著、教程 4 部，在 CSSCI、核刊发表论文 12 篇;主持教育部人文社科青年基金等项目，国家艺术基金项目;作品与论文多次在国内外音乐节、年会入选与获奖，包括 ICMC、IAWM、北京国际电子音乐节、Kyma 国际年会、eARTS、SMC、CHIMES、美国 FMO 等;指导学生作品、论文多次在国内外比赛、音乐节获奖和展演，包括北京国际电子音乐节、上海国际电子音乐周、中国大学生计算机设计大赛、音乐新媒体联盟等。

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Kun Li

Kun Li is a new media artist based in Chengdu. He creates art work by using hardware/software/wetware, exploring new possibilities in art expression. His works include installation, music, vision and interactive projects and have been presented at concerts, museums and open public spaces. Also, he holds new media workshops as well as teaching specialized courses for universities and institutes.

李琨，新媒体艺术家，四川音乐学院电子音乐系外聘副教授，他运用硬件/软件/湿件进行创作，来探索艺术表达上新的可能性。他创作的装置、音乐、影像、互动程序，既在音乐厅、美术馆里展演，也出现在公共空间，让人参与其中。同时，他还在部分高校和机构举办新媒体工作坊、教授专业课程。

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Yanmin Han

Yanmin Han received his BA in Clarinet Performance and MA in Electronic Music Composition from Sichuan Conservatory of Music and. Now he is the faculty of Electronic Music Department of SCCM and core member of New Media Art Key Laboratory of Sichuan Province. His research focus on recording art and digital audio technologies. He is very experienced in recording art and has collaborated with many artists since 1997, including Song Zuying, Li Yundi, Dai Yuqiang, Tan Weiwei, etc,. During his work, he is in charge of the project about electronic music education sponsored by Sichuan Provincial Department of Education, and project about music science sponsored by Sichuan Technology Department. He also participated in projects about electronic music sponsored by Ministry of Education Humanities and Social Sciences Youth Fund.

韩彦敏，本科毕业于单簧管演奏专业，电子音乐硕士，现为四川音乐学院电子音乐系和数字媒体艺术四川省重点实验室骨干成员。他的主要研究方向为录音艺术和数字音频技术，自 1997 年与众多艺术家展开合作，为其录制作品与专辑，包括宋祖英、李云迪、戴玉强、谭维维等。此外，他主持了四川省教育厅、四川省科技厅的多个项目，也是教育部人文社科青年基金项目“交互式电子音乐研究”的主要成员。

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Cai Yibin

Yibin Cai, graduated from Composition Department of Sichuan Conservatory of Music for BA. He received MA in electronic music composition from Electronic Music Department of SCCM. Now he is the teacher of Electronic Music Department. He used to be the teacher of Media School of SCCM and taught film and television sound design course. Yibin is an active composer. At present, his composition and work focus on film music, electroacoustic music and commercial music. In recent years, his composition include: Film Soundtrack Unbelievable(2018), Midnight Lost(2016), arrangement works Heart Fragrance(Gong Yue's 2007 album), interactive electronic music works Rain Forest I(for computer and koto), and Neon Dress——for computer and electric guitars.

蔡奕滨，本科毕业于作曲专业，获得电子音乐作曲硕士学位，曾任四川音乐学院传媒学院影视声音设计课程教师，现任四川音乐学院电子音乐系专业老师；主要研究方向为影视配乐、电子原声音乐以及应用型音乐作品制作；主要作品有影视配乐作品《难以置信》（2018年全国院线电影）、《午夜迷途》（2016年院线电影），编曲作品《心香》（龚玥2017专辑），电子音乐作品《雨·林I》（为计算机与日本筝而作）、《霓裳》（为计算机与电吉他而做）。

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Yi Xin Zhang

Yi Xin Zhang, the 2018 graduate student of Electronic Music Department of Sichuan Conservatory of Music, studies electronic music composition with Dr. Lu Minjie, the associate professor of Electronic Music Department. He also studies electronic composition with Japanese composer Prof. Takayuki Rai and American composer Prof. Jeffrey Stolet. During his college life, he founded Electronic Music Dancer Band "E Y", and composes and produce music for “E Y”.

张艺鑫，四川音乐学院电子音乐系 2018 级研究生，师从陆敏捷副教授学习电子音乐作曲，研究生期间还跟随日本作曲家莱孝之教授、美国作曲家 Jeffrey Stolet 教授学习作曲。在大学期间组建电子音乐舞曲乐队“E Y”，担任乐队作曲、音乐制作。

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Xiaoman Yang

Xiaoman Yang, graduated from the Composition Department of Wuhan Conservatory of Music, studied with Associate Prof. Pengyun Li. Since 2018, she has studied electronic music composition with Dr. Lu Minjie, the associate professor of Electronic Music Department. She also studies electronic composition with Japanese composer Prof. Takayuki Rai and American composer Prof. Jeffrey Stolet. She won the first place in Electronic Music Composition of MUSICACOUSTICA-BEIJING. In the same year, her mixed-electronic music Shimmer was selected to present at WOCMAT 2018(Taiwan).

杨晓曼，四川音乐学院电子音乐系 2017 级研究生，师从陆敏捷副教授学习电子音乐作曲，研究生期间还跟随日本作曲家莱孝之教授、美国作曲家 Jeffrey Stolet教授学习作曲。本科毕业于武汉音乐学院作曲系，师从李鹏云副教授，本科期间曾赴波兰学习作曲。2018年为大提琴和电子音乐而作的混合型电子音乐《熹微》，获第十五届北京国际电子音乐作曲比赛第一名;2018 年作品《熹微》入选上海音乐学院联盟音乐节，进行展演;同年作品 Shimmer 入选中国台湾WOCMAT2018，并在台湾进行展演。