Tae Hong Park Artistic Residency Program report
Biography
Tae Hong Park is a composer, music technologist, and bassist. His work focuses on composition of electro-acoustic and acoustic music, machine learning and computer-aided music analysis, research in multi-dimensional aspects of timbre, and audio digital signal processing. Dr. Park has presented his music at national and international conferences and festivals including Bourges, ICMC, MATA, SCIMF, and SEAMUS. Among the ensembles and performers that have played his work are the Brentano String Quartet, California E.A.R. Unit, Edward Carroll, Ensemble Surplus, Zoe Martlew, Nash Ensemble of London, and the Tarab Cello Ensemble. Professor Park is author of Introduction to Digital Signal Processing: Computer Musically Speaking (World Scientific, 2010). He is the Chief Editor of Journal SEAMUS, serves as Editiorial Consultant for Computer Music Journal, served as President of the International Computer Music Association (ICMA), and is Director of NYU Steinhardt's Composition program. He received his Ph.D. from Princeton University.
Overview of the project
[embed]https://www.youtube.com/watch?v=acCfQmaKXnI[/embed]
Look at the video of the end of the residency
https://medias.ircam.fr/xb0ff80
The artistic residency project
The Artistic Research Residency program is open to composers, professional musicians, choreographers, stage directors, sound designers, and students who wish to carry out their musical and artistic research using IRCAM or its partners’ facilities and extensive research environment. Upon nomination, each candidate will be granted a residency in an associated laboratory during a specific period that will range from three to six months long. During this period, candidates will work in association with a team/project at IRCAM or with a partner, carry out the musical and scientific experimental work associated with their proposed project, and participate in the intellectual life of the institute. At the end of their stay, candidates will be invited to share the results of their work with the international musical research community in the form of documentation and public presentations. This year will be marked by the first collaboration with ZKM | ( Institute for Music & Acoustics).