Towards an experimental performance of Harald Bode’s "Phase 6" by Juan Parra Cancino

Early electronics Harald Bode Performance of Early Electronic Music

This research centres on Harald Bode's musical output, specifically focusing on the reconstruction and preparation for a performance of the first section of his Phase 6. Through this experimental interpretation, the aim is to learn from Bode’s compositions and recordings, thereby deepeningand broadening our understanding of his creative process beyond the musical tools he designed.

➡️ This presentation is part of IRCAM Forum Workshops Paris / Enghien-les-Bains March 2026

Harald Bode’s impact on the history of electronic music, particularly through his innovative design of musical instruments, is undeniable. A close examination of his diaries and interviews reveals his continuous pursuit of being a ‘well-rounded’ individual, which involved nurturing his creativity across various domains. This research centres on Bode's musical output, specifically focusing on the reconstruction and preparation for a performance of the first section of his Phase 6. The text explores the material analysis and selection process for creating a performance score while also detailing the instrumental setup designed to reproduce and extend this work faithfully in a live performance context. Through this experimental interpretation, the aim is to learn from Bode’s compositions and recordings, thereby deepening and broadening our understanding of his creative process beyond the musical tools he designed.