Thursday 19.03 (IRCAM)

↩ SCHEDULE

THURSDAY 19.03

📍IRCAM

Stravinsky Room

10:00 - 10:30 : Cognitive Feedback: Neuro-Affective Improvisation Between Brain, Code, and Sound, (Online presentation) Tiange Zhou & Marco Bidin (Beijing Normal University, Chine)

10:30 - 11:00 : The making of the exhibition "Fabriques du son numérique", François-Xavier Féron (IRCAM, France)

☕️ Break

11:20 - 11:55  : OpenMusic News, Karim Haddad & Carlos Agon (IRCAM, France)

11:55 - 12:25 : Somax for Live, Marco Fiorini (IRCAM, France)

12:30 - 13:00 :MDIF - a composer-in-the-Loop MLP, Anders Vinjar

🍽️ Lunch Break

14:15 - 14:50 : Towards an experimental performance of Harald Bode’s Phase 6, Juan Parra Cancino (Orpheus Instituut, Belgium)

14:55 - 15:25 : Embracing the unrepeatable : non-idiomatic manipulation, Eleonora Podestà, Thomas De Santi, Erica Vincenti (Conservatorio "G. Puccini" - La Spezia, Italia)

15:30 - 16:00 : Intuitive Composing in Jazz, Sara Simionato, Dago Sondervan (Royal Conservatoire of Antwerp, Belgium)

16:05 - 16:35 : Micro Timing in Polytemporal Scores and Multilayered Textures , Simon Kanzler (IRCAM artistic research residency, France)

☕️ Break

17:00 - 18:00 : Presentation of the CNM x Ircam Inside system with Anee Molly, Cecile Lacharme, Frank Madlener, Severine Morin and Paola Palumbo

Studio 1

11:15 - 12:30 : OVERTON 3D audio synthesizer, Martin Antiphon (Music Unit, France)

14:00 - 15:00  : Spatial Audio Pedagogies: Designing Across Studio, Culture, and Space, Rodrigo Meirelles & Daniel Ocanto (DEMO) (Arizona State University, US)

16:00 - 18:00 : Liminal: A Human–AI Interaction Space Between Control and Autonomy, Zhitao Lin 

Studio 2

10:30 - 12:15 : Vase, Yuval Seeberger

14:30 - 15:30 : Between ambisonic field recordings, speaker array development and concert organizing, Hans-Gunter Lock (Estonian Academy of Music and Theatre, Estonia)

16:30 - 18:00 : Somax & Co., the REACH Team (IRCAM, France)

Studio 5

10:00 - 10:30 : Diffuse Architectures, Emma Margetson (University of Greenwich / IRCAM Artistic Research Residency)

11:20 - 11:50 : Brain Computer Interface and Sound Multi-Layer Perceptron BCI – SMLP, Tommaso Di Noia, Tommaso Colafiglio, Fabrizio Festa (Politecnico di Bari, Italia)

12:00 - 12:30 : Learning Electroacoustic Music, Lorenzo Binotti (UniUrb Università di Urbino, Italia)

14:00 - 15:00 : Infinite Coastlines: diagrammatic scores, cybernetic patches, and agency in performance, Eliad Wagner & Benjamin Bacon (Catalyst Institute of Creative Arts and Technology, Germany)

17:45 - 18:15 : Sonic Wings: A Wearable Live Electronics Device for Performing Mixed Music, Luciana Perc (Royal College of Music, UK)

Studio 6

11:00 - 18:00 : Reciter(s), Chi Po-Hao (Artists C-Lab, Taiwan) 

Messiaen Room

10:30 - 11:00 : The Birdfansyer's Delight or Choice — Idiomatic Quantisation — CAC-project, Dagfinn Koch

11:15 - 11:45 : SongEval: A Benchmark Dataset for Song Aesthetics Evaluation", Huixin Xue (Shanghai Conservatory of Music, China)

14:00 - 15:15 : Antony Workshop 2026, Serge Lemouton (Ircam, France), Jacques Warnier, Malena Fouillou ( CNSMDP), Xavier Garnier (Logilab) 

15:45 - 16:45 : Introduction to Offline Algorithmic Audio with bellplay~, Felipe Tovar-Henao (University of Florida, US)

17:00 - 17:30 : Sound Delta — A Compositional Approach to 6DoF Audio Environments, Zakariyya Cammoun

Vigie

11:15 - 11:45 : Archisonic, Misucmaker

12:00 - 12:30 : Archisonic, Misucmaker

Gallery

10:00 - 18:00 : Exhibition "The making of "Fabriques du son numérique"

14:00 - 17:30 : Stand : Real-time simulations of nonlinear vibrations, Thomas RISSE (IRCAM, France)

Related event

Maison du Danemark

📍Maison du Danemark, 142 av. des Champs-Élysées, 75008 Paris

Invitation to the “Freedom and Tradition” exhibition & networking cocktail

19:00 : Presentation artist call Art Music Denmark