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GRID presents an immersive environment where natural force fields are synthesized into both visual and acoustic forms. Departing from photorealism, the aesthetic employs abstract, simulation-based compositions to evoke the power of natural systems.

The work develops a gestural language of high expressivity, consciously avoiding the nostalgia of neo-romanticism. Here, meaning is conveyed through the dynamics of movement and force itself. The human subject is repositioned not as a center of emotional experience, but as an entity acted upon by immense, impersonal powers. This reflects a critical perspective on the role of human and non-human actors within the Anthropocene.

The simulations do not illustrate water or air, but instead articulate the raw, underlying forces, creating an art of pure expression untethered from a fixed subject or conventional representation.

 

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