The ALEPH guitar quartet performs two pieces and surprises the online audience with a very special musical experience.
A special feature of this concert is a technical component: the microphones are placed in the room in such a way that they simulate the hearing of a guest. From a technical point of view, the process is characterized by a precise spatial mapping - especially when playing via headphones. Instead of the microphone, the very individual ear characteristics of the guest come to play during the concert of the ALEPH guitar quartet.
A conversation with the composers, led by Ludger Brümmer (head of ZKM | Hertz Laboratory) rounds off the digital performance. Ludger Brümmer and Sebastian Schottke explain the technical implementation of the project and the idea behind it.
A special feature of this concert is a technical component: the microphones are placed in the room in such a way that they simulate the hearing of a guest. From a technical point of view, the process is characterized by a precise spatial mapping - especially when playing via headphones. Instead of the microphone, the very individual ear characteristics of the guest come to play during the concert of the ALEPH guitar quartet.
A conversation with the composers, led by Ludger Brümmer (head of ZKM | Hertz Laboratory) rounds off the digital performance. Ludger Brümmer and Sebastian Schottke explain the technical implementation of the project and the idea behind it.
- Tierra, polvo, tumba of Núria Giménez Comas
- Infinite the night / senza ritorno for guitar quartet and electronics of Marko Nikodijevic
Link for streaming : https://zkm.de/de/livestream
https://zkm.de/de/veranstaltung/2020/07/aleph-gitarrenquartett