IRCAM Artistic Research Residency Program
Laureates of the IRCAM.ZKM.SAT call for residency 2019-2020
- Publication date : Sept. 11, 2018
- Opening date : Sept. 21, 2018
- Closing date : Nov. 28, 2018
- Result date : March 27, 2019 (Forum Workshops)
- 100 candidates
- 7 laureates
- José Miguel Fernandez (France, 1973) and Raphaël Foulon (France)
- Las Pintas
- In collaboration with the Musical Representations Team IRCAM-STMS - Jean-Louis Giavitto and the SAT.
- Las Pintas is an audiovisual work whose composition unites innovative audio and video generation.
- Brice Gatinet (France, 1980).
- Participatory design to generate musical materials.
- In collaboration with the Musical Representations Team IRCAM-STMS - Philippe Esling.
- Development of software component using participatory design to generate musical materials using ACIDS ongoing project based on Artificial Intelligence
- Stefano Gervasoni (Italy, 1962) and Marco Liuni (Italy, 1980)
- eAr - ecological audio-augmented reality
- In collabration with the ISMM Team IRCAM-STMS - Benjamin Matuszewski.
- An ecological approach to interaction design at the frontiers of personal and collective listening
- Giulia Lorusso (Italy, 1990), and Alessandro Rudi (Italy, 1986).
- Between interaction and generation
- In collaboration with the Musical Representations Team IRCAM-STMS - Philippe Esling and the ZKM.
- New perspectives on generative sound environments via localized structured prediction. Investigating the integration of audio classification techniques with latest generative machine learning models
- Alex Ruthmann (USA, 1978)
- New Interactive Musical Tools for Digital Cultural Engagement & Learning
- In collaboration with the IRCAM Department PAC - Grégoire Lorieux.
- Creation of new interactive musical tools for digital cultural engagement with IRCAM staff, musicians & archives
- Jean-Etienne Sotty (France, 1988).
- Hybrid Accordion
- In collaboration with the S3AM team IRCAM-STMS - Robert Piéchaud
- Hybrid Accordion : Augmented instrument.
- Anders Vinjar (Norway, 1963).
- Exploring AI techniques in CAC workflows
- In collaboration with the Musical Representations Team IRCAM-STMS - Jean Bresson and the ZKM.
- Developing, exploring and adapting modern AI techniques to aid compositional workflows, a pragmatic approach. Development of OMAI.