Posté par: hkretz Il y a 4 semaines
By applying philosophical and aesthetic frameworks, it investigates how the implementation of distributive, inclusive and de-hierarchizing technologies can challenge Western traditions of authorship and expand our understanding of collaborative music-making and knowledge production. I will draw on the use of software such as Somax2 and Dicy2 in ensemble practice to highlight how a 'sound object' becomes an 'object of thought,' inherently involving knowledge production about it.
Partager sur Twitter Partager sur Facebook
Commentaires
Pas de commentaires actuellement
Nouveau commentaire