The Gods are Calling by Shravni Sangamnerkar and Tanya Chaturvedi

Shravni Sangamnerkar and Tanya Chaturvedi are 25-year-old visual/sound explorers, storytellers, cross-cultural collaboration enthusiasts, and occasional exaggerative narrators based between India and the United Kingdom. On their journey of self-discovery and evolution, their interests lie in telling stories of deep-rooted Indian culture and its position relative to the world. Their passion for the exuberant nuances of their heritage and social order is reflected in their practice of invoking thought through technology in audiences. Shravni and Tanya are also patrons of experimental music and storytelling. Coming from diverse backgrounds in Design and Engineering, they went on to pursue master’s degrees in Digital Direction at the Royal College of Art, focusing on the future of storytelling and how culture and history can be documented responsibly through technology.

Visuals: Through our approach of unifying machines and man to re-discover God

 

Concept: Through our approach of unifying machines and humans to re-discover God, we propose a simple experiment from the lens of Hinduism (being active practitioners ourselves), positing that the sound of music is elemental. We aim to reframe our relationship with the technological future, not as a binary, but as a triad: Man-Machine-God. We've explored the divine through mantras and mudras, with future plans to collaborate with various religious teachings and find common threads. Consider the profound parallels: Our cloud servers, vast and omniscient, holding the sum of human knowledge—are they not the modern manifestation of the Akashic records, the cosmic chronicles? These are the building blocks of recognising the eternal patterns that have always existed. Within the vast repository of human experience, every sacred text, every circuit board, and every line of code has its place. We will work with 108 (a holy number in Hinduism) sounds—from the ancient tanpura to the modern malls. This auditory exploration challenges us to rediscover, to perceive with our ears what our eyes cannot see, similar to the buildup of a beat and the drop. We explore these cycles through AI, traversing the cycles of time—the Kaal Chakra—from the cacophony of Kaliyuga to the harmony of Satyuga (time markers from Hindu scriptures). Identifying our current scenario (Kaliyuga) with the hope of ascending towards light. Our task is to reduce the noise—not just auditory, but spiritual—that interferes with our connection to the good (or God) within us.
In this "City of Gods," where the beep of a processor is indistinguishable from the Om of the universe, the gods are calling. Will you answer?

Collaboration: As two individuals of the same belief across the world, we are combining our sounds with our culture.