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Concrete Motion: Embodied Interaction and Gesture-Based Technologies for Teaching and Learning Electroacoustic Music by Lorenzo Binotti
Concrete Motion explores electroacoustic music learning through embodied interaction, combining gesture-based technologies, sound-based practices, an…
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"Rewriting the Score in 360°: Immersive Sound as a Creative Language for Live Performance" by Rodrig De Sa
How can immersive sound reshape the way we compose and perform music? This talk explores real-world projects where 360° audio becomes a narrative an…
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"Archisonic" by Misucmaker
Archisonic stages an inquiry into how architecture might be heard as music. Centered on concert halls as the clearest meeting point between space and…
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"Generative Music from the Quantum World" by Jean-Claude Heudin
Quantum algorithms challenge the normal way of creating music. Beyond the inherent stochastic nature of a quantum system, a new universe of inspirati…
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Towards an experimental performance of Harald Bode’s "Phase 6" by Juan Parra Cancino
This research centres on Harald Bode's musical output, specifically focusing on the reconstruction and preparation for a performance of the first se…
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"SongEval: A Benchmark Dataset for Song Aesthetics Evaluation" by Huixin Xue
Aesthetics serve as an implicit and important criterion in song generation tasks that reflect human perception beyond objective metrics. However, eva…
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"The Power of Sound" by Felipe Sanchez Luna
KLING KLANG KLONG is a Berlin-based studio redefining sound scenography at the intersection of music, art, science, and technology. Through projects …
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IRCAM Forum Workshops 2025 Taipei - Photo slideshow
Have a look at pictures of the IRCAM Forum Workshops Taipei 5-7th November, 2025