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Workshops  工作坊

José Miguel Fernandez  

- Antescofo programming language and the control of a Max/MSP patch (processing, synthesis, spatialization) / Antescofo编程语言与Max/MSP的控制联动(处理、合成、空间化)

- Gesture capture and different types of mappings for sound synthesis (RiOTs, Arduino, Kinect ...) / 手势捕捉与不同类别的声音合成mappings手法(RiOTs, Arduino, Kinect ...

- AntesCollider, control library of SuperCollider from Antescofo and use of different algorithms for electroacoustic composition (examples of treatments, synthesis and spatialization) / AntesCollider,综合SuperColliderAntescofo为电子音乐创作而编写的算法资源库(音频处理、合成和空间化)

Francesco Casciaro 

The «ReFuse!» project proposes, through a semi-improvised performance, the demonstration of the sound and expressive potential of PrintStrument / “路휩!( «ReFuse!»)”淃커쉥繫법곕섦菫駕돨깊蘿윱嵐刻 PrintStrument 돨稜뵨옵밖풉제。

Aven Le Zhou

ZICHI is an interactive musical AI. Being more than a playable instrument, it is also a musical intelligence who can «understand» the input from participants and compose accordingly a new melody and play it back to audiences with the tone of Guqin / “綾퍅”角寧몸슥빳駕稜있훙묏例콘。꼇쏭쏭角寧겉옵묩蘿犁돨뮴핵,“綾퍅”뫘角寧몸稜있AI,콘“잿썩”꽝宅諒돨蘿犁뵨渴흙깻鹿裂槨“쥣먁”茄珂팼畇劤돨旗쪼깻鹿뮴핵돨稜蘿紐놔윱。

Jiang Siting 

Ghost is a new interactive music system that assumes the use of live music which combined with fixed electronics sound (fixed media) and live performances /  ”뼙稜“角槨미땍첵竟(든綾稜捲稜있,Fixed media)뵨있포蘿犁宮써북돨든綾稜있杰셕돨劤謹돨슥빳駕稜있溝固。

Wei Xiaoxi

Pneumaether / 총최It seems to me that the “Pneumasether” gas in the mask was able to open the access to another time and space. The work was made by Max/Msp, and use 3 respiratory masks as the main interface for performance, which were connected to the pressure sensors (MPX5050DP) with Arduino / 력뤘,冷冀,충倆櫓념년돨총駕폭竟,찻최黨켬遽,다賈훙잚쏵흙죄쥼寧몸珂왕郭똑...鱗틔샘黨 Max/Msp 틱憩,적痰 Arduino 젯쌈 MPX5050DP 폭箕눈먁포,茄君鹿빌俱 충倆鱗槨寮狼蘿犁썹충똥돨袒숭零。

Carlos Delgado 

A demonstration of Lev is a gestural control software instrument. Lev takes video data from a laptop computer’s built-in video camera and splits into two control matrices, for the right and left hands respectively / 蘿刻乖역랙돨癎覺왠齡흡숭묏야 Lev。 Lev 닒긱赳駕셕炬샙돨코零獗샙櫓삿혤柬틉鑒앴,깻롸槨좃몸왠齡앤黎,롸깎痰黨璘塘癎。

Kun Lee

Non Existent is an immersive interactive artwork that combines virtual reality, hardware and software communication, data visualization and other multiple new media technologies /《꼇닸瞳》(鱗諒:쟀晤)鱗틔숌썽: 《꼇닸瞳》角寧숭휨북죄肯콰君茄、흡袒숭슥빳、鑒앴옵柬뺏된뜩蘆劤첵竟세減 돨냇쐰駕빳땡鱗틔。

Yi Xin Zhang

Whale Language is a mixed electronic music for clarinet and live electronic music /《쑬刀》角寧꼬槨데뽄밗랍鱗돨茄珂살북잚든綾稜있鱗틔

Xiaoman Yang

(Sichuan Conservatory of Music) 

LUNA is selected from the Chinese ancient poem, meaning that the moon rises after the rain stops, only the latter part of it is taken here. The work was composed for flute and computer. It has three parts. The theme is intended to show that the moon is slowly rising, and the moonlight is covered with the gentle scene of the earth. The work is finally realized by using Max/MSP program / “墩빽”朞菱櫓벌뮴家《맵꿇綾·헬캤》진湛돨“黛법墩빽”寧얌,雷槨黛界鹿빈墩좋 폅윱죄,늪뇹怜혤빈곕얌墩빽,墩좋폅윱돨雷鋼,있혓옵뺍롸槨힛몸꼬롸,깊君놔墩 좋찹찹폅,墩밟히찮댕뒈돨侊휼쒼蹶。鱗틔繫법 Max/MSP 넋埼윱離老茄君。

Yibin Cai 

Rain Forest II is an interactive music work for Leapmotion and contact microphone /《黛·주II》角槨Leapmotion宅쌈뇰駕찝옹루랍鱗돨슥빳謹든綾稜있鱗틔。

Tong Chen 

The Upper Gallery, is a new media piece composed for vibraphone and interactive vision, it was world premiered in Chengdu, Sichuan /《멕酪》角槨끕稜핵뵨슥빳緞獗랍鱗돨뜩첵竟鱗틔,2019쾨看蘿黨愷뇽냥떼。

Yanmin Han 

Echoes From Qiang Mountains : The Qiang flute, the characteristic musical instrument, folk songs and dance of sheep-skin drum are all the performance manners of Qiang’s music / 景있포퓬 痢낀둘、췽멱뵨축鸞튄뮬校떼角퓬痢稜있돨깊君렘駕,럽鄲죄퓬痢훙췽돨構粳뵨景喝돨 쳄밖쿡。

 

Tiange Zhou

Synthetic Creation in the Context of Interactive Audiovisualogy / 声场与画意的多重性结合与实践 :  : In this demonstration, I will share my experiences of using accessible facilities in the market, such as microphones, projector,webcam, and leap motion sensor to achieve artistic outcomes multidimensionally through several computer programs / 在此次演示中,我将分享如何通过几种计算机程序与当今市面上容易获取的技术工具相结合,如麦克风,投影仪,网络摄像头和Leap Motion手型传感器,以获取多重感官的艺术效果。

Sylvain Cadars

Presentation of Sound Engineering / 稜묏넋

Mikhail Malt 

Computer aided composition (OpenMusic for beginners) / 셕炬샙릅燎鱗혓(충蕨놓欺諒돨 openmusic)

Augustin Muller 

Spatialized musical and sound creation / 왕쇌뺏돨稜있뵨稜눼鱗 : Augustin Muller will introduce us with various methods and approaches to spatialization for creation in musical cases, but also for performing arts in general (opera and theatre) or installations / 걔뮴薑땀·컫잇쉥蕨乖쳬썽몹蘆왕쇌뺏돨눼鱗癎뙈뵨렘랬,侶硅렘랬꼇쏭掘黨稜있갭절,冷관윅悧竟깊蘿論減(멱양뵨양牘)샀陋零鱗틔。


Lectures  讲座

Marc Battier 

Electroacoustic Music Studies Asia Network (EMSAN) : This is an endeavour built as a network gathering researchers, computer music composers and designers and musicologists. Its main goal is to develop a database of musical works related to Asia / 会呈现其创立的“电子音乐研究亚洲网络(EMSAN)”,这个网络汇集研究人员,计算机音乐作曲家,工程师和音乐学家。 其主要目标是建立一个与亚洲有关的音乐作品数据库。

Mikhail Malt 

The project Sheng and a panorama of the use of audio descriptors  in mixed music and in musical analysis / 将带来一个关于笙的作品,在混合电子音乐和音乐分析中使用音频描述手法的创作。

Matteo Cesari

On Augmented Interpretation: An interpretational approach to electroacoustic music / 关于增强诠释:电声音乐的演绎方法

- On Interpreting Electroacoustic music: A chamber music journey / 关于演绎电声音乐:室内音乐之旅

Frank Madlener

Panorama of musical creation today at IRCAMIRCAM뎠쏟돨稜있눼鱗매워

Philippe Langlois

IRCAM’s composition and computer music course / IRCAM鱗혓宅셕炬샙稜있왁넋매甘

Minjie Lu

(Sichuan Conservatory of Music) 

Fantasy Scene Music Theater of Chinese Traditional Instruments and Electronic Music / 稜있양끝“뼙쓱

Giovanni Santini

Composing (interaction) with Augmented Reality / 적痰藤퓻君茄(Augmented Reality)鱗혓(슥빳)With its capability of rendering virtual objects inside the real space, Augmented Reality (AR) provides a new, immersive way of delivering information / 拷법瞳廬茄왕쇌코斡횡肯콰뚤蹶돨묘콘,藤퓻君茄(AR)瓊묩죄寧蘆劤돨、냇쐰駕돨斤口눈뒵렘駕。

Marco Bidin

Extended scores for improvisation upon fixed media / 미땍첵竟섦菫蘿犁돨윈嵐롸鑒Using Audiosculpt and OpenMusic to create mixed scores: conventional notation, graphic notation and aural learning / 賈痰 Audiosculpt 뵨 OpenMusic 눼쉔살북있팼:눈固션팼、暠近션팼、뵨桂얾欺構

Yongbing Dai

The background of the work: " Hell and Human Marriage " / 鱗틔교쒼:《陵삯》

Jialin Lu

My Modalys World : During the year-long program of IRCAM Cursus, I worked intensively on the IRCAM software Modalys. With its powerful simulation engine, we are encouraged to design and interact with our own dream instruments / 瞳IRCAM Cursus欺構돨寧쾨櫓,乖宅IRCAM놔틔돨膠잿쉔친넋埼Modalys써苟죄꼇썩 裂鍍.적痰Modalys퓻댕돨친콰多헐,乖쳬옵鹿菱譚돨셕菱성촘拳櫓돨있포,깻繫법땍땡鱗윱蘿犁肯콰있포.

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