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Article
Wavespace: A Highly Explorable Wavetable Generator by Hazounne Lee
Wavespace is a novel wavetable synthesis framework that generates wavetables by exploring a designed latent space. We factorize the latent space into…
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Article
Howling Vault-controlling audio feedback with flocking algorithms in the dome by Jsuk Han
This project aims to utilize feedback sound and flocking algorithms and apply them to 3rd order ambisonic systems in the dome.
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Article
SDI (Spatially distributed instrument) by Jan Hennig
Spatialising musical performances using rule-based systems for addressing multiple instances of identical sound generating devices.
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Article
Robosonic Play by Elias Naphausen
In this talk we will dive into non-anthropomorphic robotics and sonification. By turning data from an industrial manipulator into sound, we can liste…
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Article
Workshop - Generative music with Ircam software by Guillaume Piccarreta
This workshop will delve into the possibilities of generative music using state-of-the-art tools developed at IRCAM: Somax2, and RAVE, each of which …
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Techniques for “subject-oriented” spatialized music by William Fastenow & Christopher Dobrian
This talk discusses composing in such a way that each listener intentionally receives a different, yet equally valid, distribution of the musical sou…
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Article
Latent Audio Effects (LAFX) by Kyungsu Kim
This project explores the possibilities of sound design and music production by manipulating compressed latent spaces within neural audio codecs.
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Article
AudioStellar, an open source corpus-based musical instrument for latent sound structure discovery and sonic experimentation by Agustin Spinetto
AudioStellar is a free experimental sampler that uses AI to generate a 2D point map from a folder with audio samples. The sounds included in the map …
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Zen of Aggression : Composing the Transformational Hybrid by Berk Yagli
The talk/presentation will focus on musical hybridity and critical methods developed for the hybridization of electroacoustic and metal music (a pa…
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Virtuosic Embodiment of a Modalys String through Color Tracking Technology by Yongwoo Lee
This article introduces the use of Modalys (a physical modeling synthesis tool) String in live settings by utilizing color tracking technology throug…
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The Gods are Calling by Shravni Sangamnerkar and Tanya Chaturvedi
Shravni Sangamnerkar and Tanya Chaturvedi are 25-year-old visual/sound explorers, storytellers, cross-cultural collaboration enthusiasts, and occasio…
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Workshop ASAP & Partiels by Pierre Guillot
Through practice and concrete examples, participants will know how to use the ASAP tools for transforming sound: cross-synthesis, pitch transposition…
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Algorithmic Composition Techniques for Ancient Chinese Music Restoration and Reproduction-A Melody Generator Approach by Tiange Zhou & Marco Bidin
This research explores the use of algorithmic composition and deep learning method to generate melodies based on the traditional East Asian "Baban" f…
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Article
SONIFYING CHEMICAL EVOLUTION - Compositional Strategy in FIRST LIFE by Steve Everett
This presentation discusses the creation of FIRST LIFE, a 75-minute mixed media performance for string quartet, live audio and motion capture video, …
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Analysis Synthesis Tools by Pierre Guillot
In this talk, Pierre Guillot will give a brief introduction to the historical heritage and artistic and research context in which ASAP and Partiels w…
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Article
Electronic Poem by Kittiphan Janbuala
Electronic Poem is an experimental audiovisual installation. The work is based on generative processing and employs Unicode characters, an internatio…
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Creative Sound Transformation and Analysis using ASAP & Partiels by Pierre Guillot
ASAP is a collection of audio plug-ins that allows creatively transforming sound. You are invited to play with the sound representation and the sy…
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Creating immersive acoustics for virtual worlds using Elliptique by Benoît Alary
As a follow-up to the November 6th presentation (Acoustics for musicians: from concert halls to virtual realities by Benoit Alary), this workshop wil…
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Designing Acoustics in Virtual Worlds by Benoît Alary
From the reproduction of existing rooms to imaginary spaces: creative use of sound technologies for immersive worlds.
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Article
Modular and Interfaced Spat5 SPAT in Max for Live device “TSofL” by Jing-Shiuan Tsang
“TSofL” (the SPAT Operator for Live) is a branch of Max for Live devices that features a modular and interfaced SPAT model made within the Max for Li…
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Collective Individuation in Virtual Spaces: AI-driven co-creativity and Telematics for Inclusive Music-Making by Hans Kretz
This practice-based research seeks to question how the meaning of the prefix "co" in "co-creativity" can be fully understood. This question is centra…
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Overview of IRCAM’s Research and Technologies for Artistic Creation by Hugues Vinet
The aim of this conference is to provide an overview of recent and ongoing research and technological developments at IRCAM for sound and music creat…
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Article
The Symphony of Civilisation by Jeanyoon Choi & Suhyun Lim
The Symphony of Civilisation is a multi-device web artwork, encompassing more than ten channels in a symphonic format. Structured in four movements, …
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Ircam tools overview for creative sound design and generative music production by Guillaume Piccarreta and Paola Palumbo
An introduction to the Ircam Forum community and technical overview of the tools for creative sound design and generative music, such as concatenativ…
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An Adaptive Acoustic Software for Instrumental Music which can be tangibly used for Music Hardware, Products & Accessories by Arnab Dalal
This Projects presents an Adaptive Psychoacoustic Model designed to process and tune audio data for high-fidelity instrumental music, which contains …
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Musical Interaction between AI and Humans: Convergence of AI and Humans in 21st Century Contemporary Music by Yuseon Won
This article tries to explore musical relation between AI and Humans systemically.
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Article
Acoustics for musicians: from concert halls to virtual realities by Benoit Alary
With the emergence of immersive technologies, the acoustics we encounter daily in the real world coexist with artificial ones. From large multichanne…
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Xinghai EIE Studio Presentation by Marco Bidin & students
Online presentations and demo performances from the Electronic Instrument Engineering students of the Xinghai Conservatory of Music. Introduction and…
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Article
Coherent Multimodal Instrument Design – Case of Granular Synthesizer by Myungin Lee
This talk discusses the properties of coherent multimodal instruments based on numerical crossmodal observation. Especially by introducing the design…
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Fragments 1-11 by Yun Park & Jeanyoon Choi
《Fragments 1-11》 explores how AI opens a new paradigm of artistic creation in the era of generative AI. This exhibition demonstrates a multidimension…
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Atelier DAFNE+ – Prise en main de la plateforme DAFNE+ par Hugues Vinet et Guillaume Piccarreta.
L'atelier sera consacré à une introduction à DAFNE+ et à guider les participants dans leurs premiers pas sur la dernière version de la plateforme pub…
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Conference - CINE - CONCERT - Metropolis - Buñuel triptych - Chaplin Factory by Martin Matalon
Cette conférence abordera les relations et rapports entre musique et image et plus spécifiquement le ciné-concert.
