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"SongEval: A Benchmark Dataset for Song Aesthetics Evaluation" by Huixin Xue
Aesthetics serve as an implicit and important criterion in song generation tasks that reflect human perception beyond objective metrics. However, eva…
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Towards an experimental performance of Harald Bode’s "Phase 6" by Juan Parra Cancino
This research centres on Harald Bode's musical output, specifically focusing on the reconstruction and preparation for a performance of the first se…
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"Liberated frequencies" by Keigo Yoshida
"liberated frequencies" redefines auditory pleasure by freeing AI from human-centric aesthetics. In advance, glitch, noise, voice, and experimental s…
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"3SNtv: Live Spatial Audio Broadcasting" by Randall Packer
3SNtv is Zakros InterArts’ project for a 24/7 “artist‑television” channel built for live, interactive spatial audio and full resolution video. At the…
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"Generative Music from the Quantum World" by Jean-Claude Heudin
Quantum algorithms challenge the normal way of creating music. Beyond the inherent stochastic nature of a quantum system, a new universe of inspirati…
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"Rewriting the Score in 360°: Immersive Sound as a Creative Language for Live Performance" by Rodrig De Sa
How can immersive sound reshape the way we compose and perform music? This talk explores real-world projects where 360° audio becomes a narrative an…
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"Archisonic" by Misucmaker
Archisonic stages an inquiry into how architecture might be heard as music. Centered on concert halls as the clearest meeting point between space and…
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"The Power of Sound" by Felipe Sanchez Luna
KLING KLANG KLONG is a Berlin-based studio redefining sound scenography at the intersection of music, art, science, and technology. Through projects …
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Liminal: A Human–AI Interaction Space Between Control and Autonomy by Zhitao Ling
Liminal investigates new modes of human–AI co-creation through embodied gesture and generative audiovisual systems. Drawing on the concept of liminal…
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nn/mémoire: Embodied Latent Space Walk by Jiatong Liu
Exploring expressive manipulation of machine-learning models as a sound-design tool for storytelling. Drawing on cultural soundscapes, nn/mémoire pro…
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Intuitive Composing in Jazz by Sara Simionato
The research project Intuitive Composing in Jazz explores the integration of AI technologies into the creative process of jazz improvisation and comp…
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Immersing the User by Jake Parry
"Immersing the User" explores immersion within the context of gambling media. In contemporary media culture, the growing emphasis on immersive experi…
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Dynamic Spatial Mixing for Multi-Channel Audio by Aleksandar Zecevic and Kiran Bhumber
This live demo introduces a system for dynamic spatialization and mixing in multi-channel environments using Max/MSP and IRCAM’s SPAT library.
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Concrete Motion: Embodied Interaction and Gesture-Based Technologies for Teaching and Learning Electroacoustic Music by Lorenzo Binotti
Concrete Motion explores electroacoustic music learning through embodied interaction, combining gesture-based technologies, sound-based practices, an…
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TWIST! by Jonathan Pitkin
A composition for virtual virtuoso vocalist, created using ISiS
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"Archisonic" by Misucmaker
Archisonic stages an inquiry into how architecture might be heard as music. Centered on concert halls as the clearest meeting point between space and…
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Article
Tape Loop Workshop by Stegonaute
Tape Loops : Turning Cassettes into Instruments This workshop explores tape loops as a hands-on, creative tool. Starting from commercial audio c…