Back to Check out abstracts by category :
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"SongEval: A Benchmark Dataset for Song Aesthetics Evaluation" by Huixin Xue
Aesthetics serve as an implicit and important criterion in song generation tasks that reflect human perception beyond objective metrics. However, eva…
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Tape Loop Workshop by Stegonaute
Tape Loops : Turning Cassettes into Instruments This workshop explores tape loops as a hands-on, creative tool. Starting from commercial audio c…
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Towards an experimental performance of Harald Bode’s "Phase 6" by Juan Parra Cancino
This research centres on Harald Bode's musical output, specifically focusing on the reconstruction and preparation for a performance of the first se…
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"Liberated frequencies" by Keigo Yoshida
"liberated frequencies" redefines auditory pleasure by freeing AI from human-centric aesthetics. In advance, glitch, noise, voice, and experimental s…
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"3SNtv: Live Spatial Audio Broadcasting" by Randall Packer
3SNtv is Zakros InterArts’ project for a 24/7 “artist‑television” channel built for live, interactive spatial audio and full resolution video. At the…
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"Generative Music from the Quantum World" by Jean-Claude Heudin
Quantum algorithms challenge the normal way of creating music. Beyond the inherent stochastic nature of a quantum system, a new universe of inspirati…
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"Rewriting the Score in 360°: Immersive Sound as a Creative Language for Live Performance" by Rodrig De Sa
How can immersive sound reshape the way we compose and perform music? This talk explores real-world projects where 360° audio becomes a narrative an…
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"The Power of Sound" by Felipe Sanchez Luna
KLING KLANG KLONG is a Berlin-based studio redefining sound scenography at the intersection of music, art, science, and technology. Through projects …
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Liminal: A Human–AI Interaction Space Between Control and Autonomy by Zhitao Lin
Liminal investigates new modes of human–AI co-creation through embodied gesture and generative audiovisual systems. Drawing on the concept of liminal…
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nn/mémoire: Embodied Latent Space Walk by Jiatong Liu
Exploring expressive manipulation of machine-learning models as a sound-design tool for storytelling. Drawing on cultural soundscapes, nn/mémoire pro…
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Intuitive Composing in Jazz by Sara Simionato
The research project Intuitive Composing in Jazz explores the integration of AI technologies into the creative process of jazz improvisation and comp…
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Immersing the User by Jake Parry
"Immersing the User" explores immersion within the context of gambling media. In contemporary media culture, the growing emphasis on immersive experi…
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Concrete Motion: Embodied Interaction and Gesture-Based Technologies for Teaching and Learning Electroacoustic Music by Lorenzo Binotti
Concrete Motion explores electroacoustic music learning through embodied interaction, combining gesture-based technologies, sound-based practices, an…
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TWIST! by Jonathan Pitkin
A composition for virtual virtuoso vocalist, created using ISiS
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"Archisonic" by Misucmaker
Archisonic stages an inquiry into how architecture might be heard as music. Centered on concert halls as the clearest meeting point between space and…
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Sonic world building: "Embracing, Unravelling and Smashing the Fantasy" by Juice
Embracing, Unravelling, and Smashing the Fantasy (2025) by Juice is a concert and a sound art performance employing DIY acoustic and electroacoustic …
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Antony Workshop 2026 by Serge Lemouton, Jacques Warnier (CNSMDP), Malena Fouillou (CNMSDP), Xavier Garnier (Logilab)
Pratique de la documentation et de la préservation des œuvres mixtes avec le système Antony Atelier pour les journées du Forum Ircam mars 2026
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Dynamic Spatial Mixing for Multi-Channel Audio by Aleksandar Zecevic and Kiran Bhumber
This live demo introduces a system for dynamic spatialization and mixing in multi-channel environments using Max/MSP and IRCAM's SPAT library. The fr…
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Sonic Wings: A Wearable Live Electronics Device for Performing Mixed Music by Luciana Perc
The Sonic Wings are a wearable device that can capture audio, apply computational processes, and output new audio data in real time. This demo presen…
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Auditory Neurofeedback, Embodiment Cognition Control of Spatial Audio Objects and Brainwave-Modulated Generative Music within Cyber-feminist Practice by Zap Bain
A live demonstration presenting Zap Bain's artistic research on real-time EEG brainwave control of spatial audio systems for auditory neurofeedback a…
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Vase by Yuval Seeberger
Electroacoustic sound installation for Motorized Music-box with MAX/MSP and RAVE models (2025)
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Micro Timing in Polytemporal Scores and Multilayered Textures by Simon Kanzler
The aim of this presentation is to summarize the work I did during my artistic research residency at IRCAM. I explored the potential of polytemporal …
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Audiovisual scenographies of transactions by Jānis Garančs
This presentation introduces an ongoing investigation into audiovisual XR architectures that translate the invisible and silent dynamics of narrative…
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Latest news on ASAP and Partiels projects by Pierre Guillot
The latest developments in the Partiels and ASAP projects will be presented.
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Infinite Coastlines: diagrammatic scores, cybernetic patches, and agency in performance by Eliad Wagner
Infinite Coastlines is a composition–performance paradigm for working with agential systems. Initially developed by Eliad Wagner as a personal formal…
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Where There Is Singing, There You Will Settle Down by Caroline Vogel & Juice
“Where There Is Singing, There You Will Settle Down” is a multi-channel sound installation emerging from a participatory workshop on mapping coral re…
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OVERTON 3D audio synthesizer by Martin Antiphon
Overton is a 3D audio synthesizer inspired by classic synthesizers. Its founding intention is to make three-dimensional sound exploration accessible …
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The making of the exhibition "Fabriques du son numérique" by François-Xavier Féron
The making of the exhibition Fabriques du son numérique, or how sound synthesis was developed in France during the 1970s by François-Xavier Féron …
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Moving With Time by Seyed Ali Hosseini & Giuseppe Messineo.
Moving with Time is an immersive audiovisual performance exploring the evolving relationship between sound, image, and culture through real-time inte…
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News from the S3AM team (by Thomas Hélie with Stefan Bilbao, Charles Picasso, Thomas Risse)
News about available tools & current research.
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Somax & Co. by the REACH Team
This workshop presents the latest software releases within the ReachTools suite, developed by the REACH team within the Music Representation research…
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Somax for Live by Marco Fiorini
Discover Somax for Live: a new tool bringing the musical intelligence of Somax2 into the native environment of Ableton Live. This presentation explor…
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Real-time simulations of nonlinear vibrations by Thomas Risse
This work presents a series of MAX/MSP patches based on simulations of a vibrating string. Nonlinear vibrations are taken into account, resulting in …
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ACIDS 360 by Nils Demerlé and David Genova
A tour of the latest tools developed within the ACIDS research group, ranging from cutting edge generative systems to interfaces and embedded device …
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OpenMusic News by Karim Haddad & Carlos Agon
Karim Haddad presents OpenMusic 8.0 latest features, improvements, and bug fixes. Some new OM libraries will also be presented with the contribution …
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Realtime Re-synthesis with RAVE by Max Simone Conforti & Alberto Gatti
Forum IRCAM 2026 Presentation of the Rave environment in Max Simone Conforti and Alberto Gatti
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GRM Tools Atelier workshop by Matthias Puech
GRM Tools Atelier is the new line of audio tools from INA GRM. It is a real-time, multichannel sound processing and synthesis environment, designed a…
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Re:Space - Mariam Gviniashvili
Re:Space is a spatial audio project developed during my residency with the Spatial Audio Network Europe. The project grows out of my desire to carry …
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Inside the rainforest par Sébastien Gaxie
Au cœur de la forêt tropicale Voyage à travers cinq années d'enregistrements dans la forêt tropicale humide de Guyane française. Thème de recherche :…
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All Answers Forbidden: From RAVE Models to a Virtual Singer by Bengisu Önder
The exploration of AI systems in artistic practice raises fundamental questions of intention and control. This presentation examines how the strength…
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Between ambisonic field recordings, speaker array development and concert organizing by Hans-Gunter Lock
Creating an ambisonic studio and spatial sound concerts in Estonia. Experiences with ambisonic field recording practice.
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Spatial Audio Pedagogies: Designing Across Studio, Culture, and Space by Rodrigo Meirelles & Daniel Ocanto
This demo-based presentation explores spatial audio as both a creative practice and a pedagogical method. Drawing from faculty-led and student-produc…
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Introduction to Offline Algorithmic Audio with bellplay~ by Felipe Tovar-Henao
This workshop offers a practical, hands-on introduction to offline audio generation, analysis, and processing in bellplay~, a scripting-based environ…
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MDIF - a composer-in-the-Loop MLP by Anders Vinjar
This demo presents an easy-to-use practical composer-in-the-loop machine learning system. It can learn a composer's subjective preferences from a …
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Embracing the unrepeatable : non-idiomatic manipulation by Eleonora Podestà, Thomas De Santi, Erica Vincenti
Embracing the Unrepeatable is a project conceived by Eleonora Podestà in collaboration with Thomas De Santi and Erica Vincenti. The main output of th…
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Workshop SPAT Revolution by Gaël Martinet
Discover what’s new in SPAT Revolution and how it impacts yourdaily workflow. Learn how in-software new features and DAW plug-in improvements stream…
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Cognitive Feedback: Neuro-Affective Improvisation Between Brain, Code, and Sound, by Tiange Zhou & Marco Bidin
Cognitive Feedback is a project that maps a performer's brainwaves into live music performance. Using an EEG headset and Python, the system tracks me…
