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Mardi 17.03 (Prelude)
L'avant programme des ateliers. Lieu : Ircam, 1 Place Igor Stravinsky, 75004 Paris
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Moving With Time by Seyed Ali Hosseini & Giuseppe Messineo.
Moving with Time is an immersive audiovisual performance exploring the evolving relationship between sound, image, and culture through real-time inte…
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The making of the exhibition "Fabriques du son numérique" by François-Xavier Féron
The making of the exhibition Fabriques du son numérique, or how sound synthesis was developed in France during the 1970s by François-Xavier Féron …
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OVERTON 3D audio synthesizer by Martin Antiphon
Overton is a 3D audio synthesizer inspired by classic synthesizers. Its founding intention is to make three-dimensional sound exploration accessible …
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Gestion de votre abonnement institutionnel et des différents utilisateurs bénéficiant d’un accès Premium.
Depuis novembre 2025, nous avons mis en place un nouveau système d’attribution des différents comptes des utilisateurs au sein d’une même institution…
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Where There Is Singing, There You Will Settle Down by Caroline Vogel & Juice
“Where There Is Singing, There You Will Settle Down” is a multi-channel sound installation emerging from a participatory workshop on mapping coral re…
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Infinite Coastlines: diagrammatic scores, cybernetic patches, and agency in performance by Eliad Wagner
Infinite Coastlines is a composition–performance paradigm for working with agential systems. Initially developed by Eliad Wagner as a personal formal…
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Audiovisual scenographies of transactions by Jānis Garančs
This presentation introduces an ongoing investigation into audiovisual XR architectures that translate the invisible and silent dynamics of narrative…
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Micro Timing in Polytemporal Scores and Multilayered Textures by Simon Kanzler
The aim of this presentation is to summarize the work I did during my artistic research residency at IRCAM. I explored the potential of polytemporal …