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Article
Somax 2.6 and REACH co-creative tools - Marco Fiorini, Mikhail Malt
Presentation of the latest Somax 2.6 release and the REACH project co-creative tools under development, at the IRCAM Forum Workshops 2024 In Paris, b…
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Workshop: Binaural development in Max/MSP - Marta Rossi
Hands-on workshop on binaural development in Max/MSP using IRCAM Spat5 library
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Article
Sonification as a Composition Technique and Means of Artistic Expression - Maria Kallionpää
The key question is, how to form an artistically innovative core idea of a musical piece and to find the most ideal instruments for it?
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Article
3D audio for XR experiences - Charles Verron, Noise Makers
Conference on Friday 22 March from 10.30am to 11am, in the Stravinsky Room. Workshops on Friday 22 March, two 45-minute sessions from 11.15am to 12…
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Oscleton, an Ableton Live companion app - Arthur Vimond
Oscleton is a mobile companion application for Ableton Live.
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Article
Afraid to own a body - Lena Meinhardt, Eva Dörr
A RAVE based 8 channel composition inspired by a poem of Emily Dickinson
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Article
There Are Other Worlds They Have Not Told You Of. They Wish To Speak to You - Felix Römer
A generative radio play by Felix Römer, improvised in real-time by two human and two artificial performers.
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Article
Emergence – listening/looking beyond gender in new opera performance - Felicity Wilcox
Dr. Wilcox will discuss the Emergence project's goals: transforming systems marginalizing women and gender-diverse music creators, fostering non-gend…
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The rr Max package - Jonathan Pitkin
A new set of composers' tools for generating gradually or randomly changing sequences of sounds using MIDI messages
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The Integral System of Harmonic Drones (a new approach to understanding Persian music intonation) - Vahid Hosseini
In this conference, the presenter, well-versed in Persian and European classical traditions, explores the complex world of Persian Radif music. Using…
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Multichannel audio installation in Bahia - Neil Leonard
This article discusses multichannel sound installations created for an exhibition at Galleria Solar Ferrão during a residency at the Sacatar Foundati…
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Howlingbirds - Jsuk Han
This project aims to utilize feedback sound and flocking algorithms and apply them to multi-channel systems and simulate natural phenomena.
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Article
5G thermophones - Jacques Rémus
Abstract for 2024 Ircam Forum communication
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Performing the Algorithm: Open Form Scores Notated and Structured as Visual Programming Interfaces - Luciana Perc
This study examines two algorithmically structured open form scores for strings, drawing upon Boulez's concept of aléa, Cage's aleatory composition a…
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Article
Futures of Listening: How our ways of listening will change in the near future - Kwangrae Kim, Suk-Jun Kim (ACC Sound Lab)
The project,
delves into more than just the study of 'sound'; it's a profound exploration into the human act of 'listening'. It considers listening … -
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Freyja - Sergei Leonov
Audiovisual performance based on the sonification of biodata
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Mouja - Nicola Privato
In this performance-lecture I present Thales and Stacco, two interfaces based o magnets developed at the Intelligent Instruments Lab for the embodied…
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Three States of Wax: The nature of material in live electronic improvisation - Juan Parra Cancino, Jonathan Impett
This presentation delves into the creative, performative, and technical approaches employed by the Three States of Wax duo: Jonathan Impett (trumpet …
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Article
News from Anemond Studio: Factorsynth 3, Factoid 2 and upcoming projects - J.J Burred
Discussion and demonstration of the latest versions of Anemond's tools for sound transformation based on matrix factorization
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Article
Dromos/Autos: The Autistic Ontology as Performance - Matt Rogerson
Visceral audio-visual live art; leveraging the edifying convergence of noise music with electroacoustic processes, neurofeedback and ASD (Autism Spec…
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ASAP Workshop - Pierre Guillot
In this workshop, Pierre Guillot will then present the functionalities offered by the ASAP plug-in collection, and in particular, the plug-ins based …
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Making Electronic Music Inclusive: A Virtual Studio for Visually Impaired Composers - Butch Rovan
Current tools for composing with interactive technologies are not accessible to visually impaired composers – graphical patching paradigms have made …
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Article
'What’s in a name?' IRCAM, MPEG-7, and the Standardization of Audio Description - Landon Morrison
The CUIDADO Project, led by IRCAM researchers from 2000-03, aimed to establish an industry standard for audio content description, contributing to th…
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Noise from Order - Marion Cros
Abstract of my intervention during the Ircam Forum Workshop 2024
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Deriving Synchrony: A Real Time Interactive Brainwave-to-Music Translation Performance System - Johnny Tomasiello
Deriving Synchrony: A Real Time Interactive Brainwave-to-Music Translation Performance System is an immersive work whose purpose is to explore the re…
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Roaming Silence, 2024 - Shaye Thiel
"Roaming Silence", 2024 encourages viewers to gain a deeper understanding of hearing loss and relate to the artist's own experience of losing the abi…
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Article
In the mind of Gilgamesh - Fabrice Guédy, Armand Ledanois
Generating an electronic oratorio from brain data : the Epic of Gilgamesh
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Logelloop 6 - Presentation of spatialization and granular synthesis tools - Philippe Ollivier
Logelloop 6, released in January 2024, with its transformation, sound creation, spatialization and multichannel recording tools, is the ideal tool fo…
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Poetry Attack 01 - Joenio Marques da Costa, Mari Moura
The performance is composed by sound art, performance art, synthesizers, sound samples and live coding using free software tools, like Sonic Pi, Tida…
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Article
Invocations - voice, ancient texts and electronics - Aldo Rodriguez
Invocation comes from the Latin word "invocate", meaning "to call", "to demand". It is a supplication either to God or to a divinity, saint, spiritua…
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Transforming light intensity into sounds – light.void~ in hypothetical particles - Anne Liao Zouning
What if music dimensions could be controlled by changes in light intensity? What if flashlights could transform the natural soundscape of a thundercl…
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Article
Dicy2: composing music interaction with generative agents - Jerome Nika
Dicy2 is both a package for Max and a plugin for Ableton Live implementing interactive agents using machine-learning to generate musical sequences th…
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Augmented concert - Giovanni Montiani Noa Mick & Mezzo Forte
An immersive listening experience featuring a binaural diffusion system via bone-conduction headphones (BCH).
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Particle Breeze - Jan Ove Hennig
Using particle systems to dynamically position sounds in space using the Spat library
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Drizzle Path ——Interactive Audiovisual Work - Zhao Yixuan, Yang Ruochen
Drizzle Path is a mysterious landscape full of imagination, a wonderful journey containing the spirit of exploration, and a winding revival of memory…
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3D Illusory Immersive Soundscape-"Glacier" - Zoe Lin
Global glacier loss impacts diverse regions, with sea-bound collapses generating cautionary waves, while a composition utilizes 3D immersive soundsca…
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CHASING WATERFALLS – An Artificial Intelligence Opera - Sven Soren Beyer
In 2022 the AI opera "Chasing Waterfalls - An Artificial Intelligence Opera" premiered at Semperoper Dresden and Hong Kong New Vision Arts Festival. …
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AI and Brain-Computer Interface for sound design generation and musical instrument control through Emotion and Focus Recognition - Tommaso Colafiglio, Fabrizio Festa, Tommaso Di Noia
Our project is devoted to processing [information retrieval] electroencephalogram signals to control sound generation. Moreover, our software can con…
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Xp for Live: latest news and future insight of the 3d audio environment for Ableton Live (using spat~) - Fraction (Eric Raynaud)
Two years after its release, Xp for Live (Xp4l), a 3D audio design interface for Ableton utilizing Spat, has firmly established itself in a diverse a…
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Eric Montalbetti : "Mode/Scale" - Serge Lemouton
A bach computer assisted composition tool
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iː ɡoʊ weɪ // artificially unintelligible data dada - Jonathan Reus
Live neo-dada AI for voice(s)
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DAFNE+: Launch of the Platform for the Preservation and Promotion of Experimental Music and Sound Production
"DAFNE+ provides digital content creators new forms of creation, distribution and monetization of their works of art through blockchain technology. "…
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Consciousness in The Landscape - Artemis Weng, Bethan Hancock
Bethan Hancock and Artemis Zih-Jie Weng are a research group based in London who are interested in the connection between human consciousness and evo…
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Still Waters Run Deep - Jiayou Wu, Polina Ami Kosele, Teodora Serbanescu
A transformative journey where immersive self-discovery merges with abstract forms and cutting-edge sound design. This captivating experience challen…
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Weaving memory matter: Steering latent audio models through interactive machine learning - Gabriel Vigliensoni
“Weaving memory matter” is a demonstration and performance where I will showcase the steerability and control of neural audio synthesis models throug…
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XR Human-Swarm Interactive Music System - Pedro Lucas
This project is an Interactive Music System (IMS) that uses Mixed Reality (MR) and Spatial Audio technologies for a multi-track looping session, havi…
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Presentations by Strasbourg Conservatory and Haute Ecole des Arts du Rhin
Electroacoustic and instrumental composition teachers and students of the Strasbourg Conservatory and Haute Ecole des Arts du Rhin will present vario…
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G3P Human Instruments - Sonnie Carlebach, Ushara Dilrukshan and Thomas Bugg.
Human Instruments delivers a trio performance blending cassette tape manipulation, live coding, and generative audio-visual experiments, where two el…
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Whale Fall by- Armelle, Janmejay, Riya, Selin, Xuanbei
Project Abstract of Whale Fall, an immersive audiovisual experience made by students of Royal College of Art. Project Team: Selin Öztürk, Janmejay S…
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This bitter sweet thing - Thomas Bugg
‘This bitter sweet thing’ is an artistic exploration of ascendence that delves into the intricate interplay of light, sound, and technology, inviting…
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Group presentation, EIE, Xinghai Conservatory (Guangzhou, China)
Presentations and demo-performances by students of the Electronic Instrument Engineering, Xinghai Conservatory of Music
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News from the Analysis/Synthesis team - Frederik Bous, Guillaume Doras, Pierre Guillot, Axel Roebel
The team will demonstrate the ARS modules, a Musicological Pipeline for Singing Voice Style Analysis developed in the ANR project ARS, ongoing work …
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News from the ISMM team — Frédéric Bevilacqua, Diemo Schwarz, Riccardo Borghesi, Benjamin Matuszewski
News from the ISMM team: Mubu, CataRT, SkataRT, Gestural Sound Toolkit for Max, Soundworks for Javascript.
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Whispers of Summer's love: A Sonic Storytelling Proposal - Xiangefng Xu
A song that chronicled my entire night.
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Truthscape - Jieyu Huang, Jinhan Lu, Yiding Ma, Shuyi Guo, Bei Su
Limehouse, once a trade hub, later merged into Chinatown in SOHO. This project delves into its history, highlighting how information shapes perceptio…
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ircamamplify.io: IRCAM's best technologies via API, for a sound web, technical demonstration of the range of possibilities - Frédéric Amadu
The team will present the API platform
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A Generative Audio Synthesis Workshop - Sinan Bokesoy
A hands on demonstration of various techniques of generative audio synthesis – Explore the art and science of crafting soundscapes that evolve on the…
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I Suppose He Will Miss The Sea Too - Peilin Li and Peijun Jiang
“I suppose he will miss the sea too” will take the form of a sound interactive theater, which borrows Baudrillard’s “simulation” theory and Heidegger…
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DAFNE+ workshop: Minting content on the platform - Hugues Vinet, Greg Beller, Guillaume Piccarreta, Salah Eddine Chaouch, Miller Puckette, Serge Lemouton
"DAFNE+ provides digital content creators new forms of creation, distribution and monetization of their works of art through blockchain technology. "…
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Eye of the Storm - Shruti Nagaraj
an ambisonic audio and weather data reactive visual installation that brings together free improv violin and live weather in London.
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AI, ensemble practice and the sound object as an 'object of thought’: rethinking knowledge distribution between engineering sciences and the arts - Hans Kretz
This presentation explores creativity and AI-driven co-creation in music using Somax, aiming to understand how technology shapes knowledge production…
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The modern symphony : expressing and restraining emotions - Jungwoo Kim, Jiyoon Kim, and Yuri Cho
This project is a collaboration with Jungwoo Kim, Jiyoon Kim, and Yuri Cho.
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Article
The Creative Contract - Mamoru Watanabe, Domenica Landin
The workshop on audiovisual collaboration at Room Shannon on 21st March 2024.
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Elegy - Jinyu Fang, Yunsheng Zhu, Tairan Shi, Yutong Chai
Project Team: Jinyu Fang, Yunsheng Zhu, Tairan Shi, Yutong Chai In this era, we observe a phenomenon where people continually harm the natural envi…
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AURA - Junghyun Kim, Seungjun Oh
This multimedia artwork, featuring media art by Junghyun Kim and experimental music by Seungjun Oh, delves into the essence of aura, nature, and repr…
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Banned Sound - Wenkai Pan
Banned sound is an imperceptible sound. It has existed in China for a long time, usually accompanied by some taboo activities. People feel uncomforta…
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MyBeeKnows for Ableton Live by Music Unit - Martin Antiphon
Binaural synthesis technology
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Article
The QAC Toolkit crashcourse - Omar Costa Hamido (OCH)
Get up and running with The Quantum-computing Aided Composition Toolkit for musicians and artists to build, run, and simulate quantum circuits in Max.
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Gears, a web app to create music differently - Clement Bossut, Pierre Lambla
What is Gears, where does it come from, what could it become
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Mute - Paul Baule
"A great silence is spreading over the natural world even as the sound of man is becoming deafening.“ – Bernie Krause
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Fragmented City - Ashima Pargal
A conceptual narrative sound design project presenting a semiotic perspective on the impact of name changes on identities of cities.
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News from the S3AM Team (T. Hélie, R. Piéchaud, C. Picasso)
In this presentation, we will present news about: 1) Modalys: a sound design example using some latest Lua & finite elements features in Max real ti…
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R-IoT v3 : a progress report - Emmanuel FLETY, Prototypes & Engineering Team (PIP)
Presentation of the currently developped version (3) of the R-IoT wireless IMU sensor during the 2024 IRCAM workshop edition, by Emmanuel FLETY, Prot…
